Tags
Arena Mode, Assault or Attrition, Blake Northcott, Comicbookgirl19, dystopias, Graphic Novel, indie writers, Internet trolls, Kickstarter, Mark McKenna, misogynism, Self Publishing, Steve McNiven, Superhero
Today we are VERY lucky to have an interview with Blake Northcott, who some may remember as @ComicBookGrrl on Twitter but who has now emerged as Canada’s hot new writing talent. Her previous novels – Vs reality, Relapse and Arena Mode – hit bestseller lists on Amazon in the US and UK and her latest offering, Assault or Attrition, is already fully funded through a Kickstarter campaign.
Assault or Attrition, another hybrid of the traditional novel format and the graphic novel like Arena Mode, has seen Northcott work with some promising collaborators such as Steve McNiven (Guardians of the Galaxy, Civil War, Uncanny Avengers) and Mark McKenna (Star Wars: Old Republic, Justice League, Combat Jacks) as well as COMICBOOKGIRL19 (The Comic Book Girl 19 Show) among others and is set in the same dystopian superhero continuity as Arena Mode. We talked to her about her work, the trend for self publishing via Kickstarter and the perils of online misogynism.
D.A Lascelles: You’ve done really well in the last few years, seeming to effortlessly hit bestseller lists on Amazon with your books (Arena Mode #1 in Amazon UK). How much of that was luck and how much was due to hard work?
Blake Northcott: That is a funny question. I don’t think anyone gets anywhere without hard work, but maybe there is an element of luck in there, too? Sometimes there is a ‘right place, right time’ event that kind of comes along, and maybe the people in the UK just really wanted to read a book about superheroes?
Either way I’m grateful!
DL: Assault or Attrition is part of the same continuity as Arena Mode. What is the underlying story of these two novels?
BN: Arena Mode is more ‘world building’ – it sets up a universe in 2041 where the economy has kinda gone to hell, and superheroes just happen to exist. It follows a lifelong underachiever, Matthew Moxon, though some big challenges.
The story, if I had to sum it up, would be ‘Marvel and DC collides with The Hunger Games’, although that’s pretty simplistic. There’s more to it than that…at least I think there is?
Assault or Attrition deals with the fallout from the first book, and it’s heading in a completely different direction.
DL: You talk about Arena Mode and Assault or Attrition being a blending of novels and graphic novels. Why did you choose to follow that route rather than opt for one or the other?
BN: Because I love both genres, and always wanted to do a hybrid of sorts – this was my happy medium. I get to write a novel, but have a comic book flavor by adding some artwork, without the need to make one person commit to an entire 22-page issue along with an inker, colorer and all that.
DL: Assault or Attrition has garnered a lot of support from some quite big names in comic art. Are you surprised at this? What was it like working with these people?
BN: I’m surprised every day!
Working with some heavyweights from Marvel and DC is very humbling. They’re so talented and I’m learning so much from them. They’re all nice….well, one of them is a dick. You know who you are.
That was a joke. Sort of.
DL: Kickstarter seems to be the ‘in thing’ for self published writers looking to fund their writing. Could you describe your experiences with this method? How do you see the use of this method developing in the future?
BN: I see a lot of huge publishers elbowing their way into the space at the moment, but that was inevitable. I would like to see it stay kind of ‘indie’, for people who can’t find a home with a major publisher, but there’s no way to keep the sharks out the little pond, it seems – once they see the potential for profit they’ll jump in.
But overall, it’s still a pretty fair marketplace. My experience is that I can get exposure to a new audience that would not normally have seen my books, in a way that simply isn’t possible on Amazon, or anywhere else.
Plus selling a physical book on Amazon is so cost-prohibitive that there is almost no upside to it. Kickstarter allows me to produce a high-quality book, printed in America, and add all sorts of bells and whistles to the packages so people get more for their money.
DL: Self publishing: self inflicted modern vanity press or a way for talented writers to get unusual ideas with a niche market out there?
BN: Self publishing is the ultimate raw material. It’s a lump of clay, and you make whatever you want out of it.
I’m a dorky Canadian woman who does sci-fi/superhero books with comic book art in them. That’s what I’ve made out of it so far, and every single writer does their own unique thing with the platform.
DL: There has been a lot of strife on social media over the ‘fake geek girl’ scandal and a whole host of issues surrounding the sexism in geekdom – specifically in the gaming industry. What is your stance on this? Is Geekdom becoming more enlightened over time or reverting back to more misogynistic roots? How do you think this issue can be tackled?
BN: I think that the trolls can be far more easily dealt with by ignoring them.
That sounds simplistic, but really, the whole ‘You’re a fake geek girl!’ thing can be crushed by just not letting the trolls voice their stupid opinions. There are a handful of dicks out there, but most people aren’t sexist or mean – they just want to engage and share what they love.
And I love debates and opposing opinions – that’s what an open discussion is all about – but when someone is being intentionally rude or aggressive, I block or unfriend them, and delete their post immediately. It’s that easy. I don’t get all upset and make a big thing about it – I just get rid of them and move on.
Let’s face it – 99% of people are pretty cool. But there is always gonna be that one jackass who wants to screw up the party for everyone. Instead of letting that dick become the center of attention, let’s just move past him and discuss awesome stuff.
***
Assault or Attrition has, at the time of writing, exceeded its funding goal on Kickstarter and so should very soon be available to buy or download. However, the Kickstarter is still open so you can hop on and claim some of the rewards.
You can find out more about Blake on her Facebook and Twitter accounts or read more of her thoughts in one of her regular Man Cave Daily articles.

considered to be innocent is an intriguing one that does generate a lot of interest. Films have been known to play on the perceived innocence of children. 
st of the phrases she had to repeat endlessly to throw off these sightseers and their bizarre counterarguments. However, it seemed as if the more she denied it, the more convinced her visitors were that she was hiding the baby somewhere in one of the many rooms of the house.
It seems that the British version of the SETI project (UK SETI research network) is focusing its efforts on finding evidence of aliens capable of moving stars or building giant structures in space. This being in addition to SETI’s usual activities of eavesdropping on potential alien communications like some interstellar version of the NSA*.

Often, it tends to be someone relatively unknown at the time of casting. They may have done some previous acting for which they got recognition (Tom Baker was Rasputin in Nicholas and Alexander in 1971 and Koura in The Golden Vioyage of Sinbad in 1973, before he became the Doctor,and David Tennant was in Casanova) but by and large the first time you hear their name as a child who watches Doctor Who is when the casting is announced. There have been exceptions to this, of course. Christopher Ecclestone had been in a couple of things (I think he’d done some films somewhere in Hollywood you might have heard of 🙂 ) and William Hartnell had a remarkably robust film career (including several Carry On films) but by and large unknowns have taken the part over well known actors. So, perhaps the speculation needs to be looking not at well known actors but at those on the fringes – the up and coming talent rather than the established names? A couple of names that have popped up in this mould include
Doctor is often portrayed as – there are calls for some variety. There has long been interest in the Doctor being a woman, of course. I even commented on an article which
I think it will certainly be interesting to see how this pans out. Internet and tabloid speculations have a habit of being wrong, especially when you consider the aforementioned tendency for a relative unknown to be given the job – that generally precludes anyone the media considers unless they are keeping a very careful eye on up and coming talent. Personally, I am unfortunately predicting a situation of no change – a white male. It may be a white male with some interesting other feature – an accent. an eccentricity, some new approach to the character – but it will be, by and large, the same basic character. I do not think that those involved in the series yet have the impetus to make such a radical change as to colour the Doctor’s skin or give him ladyparts save in jest (as happened in
but that is only one of the many references. Small towns with a troublesome population and the need for a strong sherrif is a common wild west cliche and in many westerns the hero comes from outside the town to take on that difficult job. In Defiance, a tough outsider comes to a town with a troublesome population, mostly comprised of squabbling aliens, and ends up with the job of lawman.
US. It was a time and place when the population was smaller outside of the big East Coast cities, people gathered in small communities and there was endless space for expansion. America was truly a land of opportunity because land and gold and whatever else you wanted was simply there for the taking. This translates well into a post apocalyptic setting as most of those features are also present then – low populations, resources such as land less tied up by governments and laws and a need for people to work together to survive.






