Tag Archives: Ninfa Hayes

Five get literary in Sandbach

16 Wednesday Nov 2016

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So, last weekend I was at the Sandbach Author Signing event (SASE). I may have mentioned this event a few times over the last few months, most recently here, because I was incredibly excited by it. Turns out I was excited for good reasons.

#SASE Sandbach Author Signing event at Sandbach town hall

Sandbach town hall (c) Nellie Simpson

SASE was the first event of its kind in the Sandbach area, though it followed a pattern similar to many other events (like the Manchester signing of August this year). A group of authors getting together in a location and a bunch of readers wandering around the tables looking to buy books and get them signed.

I travelled to Sandbach from Manchester in the company of Ninfa Hayes and Alex Campbell, two members of the Tea Society and Vampire Month posters. We weren’t the only members there either, there was also Dianna Hardy and Elizabeth Morgan (who was also the organiser of the event). We were only missing Alex James, Miriam Khan and Russell Smith but we did have leaflets from all of them so they did not miss out too much. We set up our tables in the lovely, modern interior of the Sandbach town hall (nicely contrasted with the older exterior of the building) and awaited the arrival of the public.

D.A Lascelles, Alex Campbell, NinfaHayes and Dianna Hardy

The Urban settings panel  (c) Nellie ZSimpson

There were also some panels throughout the day on a number of topics ranging from Women in Fantasy to Fangs and Fur (vampires and werewolves in fiction). I was asked to moderate two of these – ‘Fangs and Fur’ and one on settings in Urban fantasy. Turnout for these was low (a handful of people) but the audience was keen and the discussions were wide ranging and interesting. From talking to another blogger, it seems that panels are not a common thing in her experience of signing events so this idea is both a way of distinguishing this event from others and also something new that the attendees may not have been too sure of. Personally I feel Alex Campbell’s reminiscences of  the tales of Northumberland to be worth the entry fee to the event by itself. Catherine Green and Lucy Felthouse joined myself, Ninfa and Dianna for the discussion on Vampires and Werewolves and we tackled the age long issue of why vampire fiction never seems to die. In the urban fantasy location panel we explored the idea of the location as a character (something I touch on in Gods of the Deep), how some stories are location dependent while others are not and what locations in our stories were influenced by places in our real lives. There may have been some discussion about trying to set a Batman story in the countryside but I have no idea who came up with that mad idea. As moderator I also posed the question about overuse of location – are certain locations (London, Chicago, New York etc.) overused in contemporary fantasy fiction and should other sites be given a chance to shine. There were excellent arguments from both sides there, with an overall conclusion that the common sites are used for recognition purposes – more people know about London than they may know about Newcastle – and so are likely to remain popular. However, there is scope for stories set in other locations, especially ones with their own myths and legends – Alex Campbell’s use of the Northumberland Lambton worm story being a case in point.

Throughout the day there were visits by some journalists and the event made it into theSandbach Chronicle authors hold masterclass local papers (Sandbach Chronicle headline: Authors Hold Masterclass) and Elizabeth was interviewed by Stewart Green for Sandbach Soundbites. Click the link to listen to the interview in full. This all suggested that there was quite a bit of media buzz about this event which is the first of its kind in the town.

It is to be hoped that Sandbach will return bigger and better next year with more people risking attending the panels and getting involved in discussions. I know the organisers have big plans for next year and any success of this new event would be well deserved.

The photographs in this article were taken by Nellie Simpson.

D.A Lascelles is the author of Lurking Miscellany, Transitions (Mundania Press) and Gods of the Sea (Pulp Empires) and Gods of the Deep. He lives in Manchester UK. You can sometimes see him writing about Zombie porn on http://www.dalascelles.co.uk but he mostly blogs about books, vampires, science fiction and Terry Pratchett. He is inordinately proud of the fact that one of his Pratchett articles was referenced on the French version of the author’s Wikipedia page.

Facebook: https://www.facebook.com/DaLascelles

Twitter: @areteus

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News (but not weather)

04 Friday Nov 2016

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 So, it has been a while since I did any updates. Apologies for that, it has been a busy month or so. So, here are a few things to keep you updated.D A Lascelles Gods of the Deep Kindle Fantasy Swashbuckling

First of all, those of you in the North West of UK are welcome to come along to the Sandbach Author Signing event tomorrow (5th November) at Sandbach town hall. It promises to be lots of fun and will include not only signings but panels too. I am talking on two of them – Fur and Fangs (all about vampires and werewolves) and Urban settings, the magic within city landscapes. Both look to be interesting discussions. There are other activities on the day too but to find out what they are you will have to come along. Tickets are very cheap – only £5 on the door. It is also worth pointing out that a lot of the UK based Vampire Month alumni will be there including Elizabeth Morgan, Dianna Hardy, AJ Campbell and Ninfa Hayes.

Secondly, if you cannot get to the above event, you can get copies of Gods of the Deep or any of my other books from Amazon. I have an online order form for signed copies too which you can find here – Online order form. You can arrange to pick up your book at one of the events listed (and this list will get updated periodically as I confirm events) or you can contact me via this page or my email address to arrange alternative arrangements such as postage.

Thirdly, this blog may be undergoing a change of appearance sometime soon. This has now become my main site so I am going to be using it more and more as such. This means a bit of a rejig and maybe a change in image and I will be putting things like my bio and book info onto the home page and relegate the blog to another page. Look out for those changes as they happen over the next month or so.

Finally, things are heating up in other areas of bloggage. The blog I am an occasional contributor too – News from the Spirit world –  is going to be getting more from me. In fact for the last week or so, my latest story has been the front page. There is also a secret project ongoing in the background of the blogosphere which I will talk more about when it hits.

So, that puts us up to date in terms of what is happening for me at the moment. Hope to catch you all soon.

#MAEG2016 – the Manchester author signing event and gig.

14 Sunday Aug 2016

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So, yesterday was an event I had been planning and preparing for since quite early in the year – the Manchester Author signing event and gig, officially shortened to #MAEG2016 for the benefit of Twitter users.IMG_4759

It was an early start. I was up at 6 so that I could be at the train station to meet Elizabeth Morgan in time for us both to travel to the site of the event – which was a mining museum near Astley on the outskirts of the city. Things were not helped by the fact I had been persuaded by Samantha Harrington the night before to go to a hotel near the site to meet some of the attendees and have a drink… *. Regardless of that, the meet up at the station went without a hitch and we quickly made our way to the venue, learning on the way exactly how much more expensive train station taxis are compared to pre booked ones.

The event organiser, who writes under the name Scarlett Flame, had spent a lot of the week building up to the event setting up a marquee, a beer tent and Portaloo toilets in the grounds of the museum. By the time Elizabeth and I arrived the place was bustling with people setting up their stalls. We claimed a table and started getting everything ready for the day ahead.

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The Mining Museum

We had lots of conversations with people who came by the stall. Many were interested in what the ‘Tea Society’ was and what it meant. Many of the attendees there were acting as an individual – all the books on their stall had been written by them – however we were there representing not only our own work but those of the other members of the group too which did seem to cause some confusion. I do sometimes wonder if they believe the ‘other authors’ are actually our pseudonyms.** There was a lot of interest in various of the books on the table and many of the bookmarks and cards were taken. We gave out almost all of the swag packs that Elizabeth had prepared and made a couple of sales between us. All in all, about as successful as many similar events I have attended with the promise that future ones will be even better. There was a solid group of people involved in this, both the organisers and the attendees, and a lot of good camaraderie and mutual support going on throughout the day.

 

We were asked to sign a variety of weird and wonderful things. Many of the authors there

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One of the other authors gets video interviewed

seemed to have an autograph book that got passed around by various of the assistants for us to sign and some asked us to sign things like blank canvases,  T-shirts and canvas tote bags. One or two of these items ended up as prizes in one of the many raffles that were going on but many seemed to have them mainly as a memento of the day. We also ended up on video twice over the course of the afternoon. Once by a blogger who was looking to collect footage of authors promoting their books (my contribution was horribly garbled, I hate being on video) and later by Samantha Harrington who was doing a live feed from Facebook of her walking around the site. We get about 5 seconds of fame in that – a brief hello and a wave after she got distracted by corsetry. I will check permissions and share both of these when they are available.

 

IMG_4836.jpgThe signing bit of the day ended at 5 and once we had packed up all our stock and cleared the marquee of tables, we went and got some food from the BBQ while the stage was set up for the gig. Unfortunately, due to the vagaries of public transport meaning we had to leave before 9 we only managed to catch one of the acts that were lined up to perform but did enjoy that a lot – she had a good singing voice and played well.

By the time I got home it was late and I was exhausted from pulling the suitcase full of books but I had a sense of having had a good and productive day.

 

*Which led to a great night out and the chance to meet some of the readers who were there to get books signed. Fun was had discussing everything from Wales to the current economic situation, but did mean I did not get to bed until near 1am.

**Something which will be easily disproved at the upcoming Sandbach Author event in November as that is looking like an event pretty much all the Tea Society is going to so we can all be seen in the same room at the same time with no need to slip off to the toilets to put wigs and false moustaches on – the Ninfa wig really itches too. Only one who cannot make it is R.A Smith. Having trouble finding an actor skilled enough to play him :).

Not so secret society

27 Monday Jul 2015

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I guess over the last few months an insidious and influential group has slowly been showing its hand. You may not have been aware of them, at first. They are an organisation who were cloaked in shadow. However, you may have met some of them, maybe at an author event, maybe passed them in the street. They have guided civilisation from the earliest days, raised kings and toppled princes, manipulated the stock market and contributed to the success of numerous creative artists. They have agents everywhere. Well, mainly in the UK. Actually, mainly in Manchester really with a couple elsewhere. To be honest, not all that many even in Manchester… but, so great are these agents they don’t need many to fulfil their schemes.tea society badge2

The name of this epic organisation? Why, it is none other than the Tea Society.

And if you are at this point thinking ‘Who?’ then that is testament to our ability to so totally blend into the background.

The origins of the Tea Society go back a number of years when a handful of writers who lived in Manchester started having sort of not very regular meetings to talk about writing. The name was a joke that rose out of the fact that we could not think of a name and all we seemed to do at the meetings was drink tea and in the end it sort of stuck.

Later, after some discussions around a shared trade table at a steampunk market, we came to the conclusion that it was really difficult sharing a table as we tended to do and maintaining a solid identity for customers to recognise. So, Elizabeth Morgan arranged for there to be a banner and Rachel Bostwick (Queen of trailers and other graphic design goodness) was hired to give us some brand identity with our official logo.

The banner debuted at the Yorkshire Cosplay con earlier this year and was also seen briefly at the World Book Night event at the Fab Café. It will next emerge this weekend at the Literally Literary event at Leeds Central Library and then at the MancsterCon in Salford on August 29th.

stallSo, now that we are out in the open, you may be able to guess some of our members… they include R.A Smith, Ninfa Hayes, Miriam Khan and of course myself. But there are others such as Pat Keheller, Erica Hayes and Alex Campbell (whose book is out soon, you should totally check it out).

If you see any of us at an event, especially if we have the banner up, feel free to come over and have a chat about books in general or our books in particular (and maybe even buy some). I am also currently pondering a special deal where if you promise to do some publicity – take some leaflets to be delivered to local businesses, tweet or share on Facebook, or otherwise spread the word – you may qualify for a special limited edition Tea Society badge. I’ll get out more details of this once I work them out properly.

Hope to see you all at an event soon!

World Book Night

19 Sunday Apr 2015

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This Thursday (23rd April) sees the annual World Book Night event explode across the world again. In venues the world over you can pop in to meet with authors, chat about reading or writing, listen to readings and, of course, pick up free copies of one or more of this year’s World Book Night special editions. The aim is to promote reading across the globe so, if you are someone who doesn’t normally go in for that reading lark, why not find an event local to you and give one of the free books a try. There is quite a range of genres to choose from so there is something for every taste and if you are already a reader why not

The Literary Critic from the Skaro Evening News

The Literary Critic from the Skaro Evening News

wander out of our comfort zone and read something new?

As last year, there is an event on at the Fab Café in Manchester which I will be attending along with R.A Smith, Ninfa Hayes and Miriam Khan. This has been organised by the team at Starburst magazine as represented by the wonderful Mr Ed Fortune (who is their Sequential Arts editor). Also, as last year where Frances Hardinge agreed to grace us with her presence, we have a special guest in the form of SF and Fantasy author Tony Ballantyne.

Unlike last year, where we were fashionably late, this event will actually be on the right night (assuming they work out how to set the controls of the TARDIS correctly, that thing is notoriously hard to navigate due to the vagaries of 4 dimensional space) and there is talk of panels and discussions and readings. Obviously the resident critic from the Skaro Evening News (News to Exterminate to) will be in attendance as he was last year to exterminate any who fail his strict critical standards, so authors and attendees had better be on their best behaviour!

So if you happen to find yourself in Manchester City Centre on the night of Thursday 23rd April, 2015 and you fancy some free books why not pop along to 109 Portland Street and head down into the basement. We’ll be there so feel free to say hello!

What to wear…

31 Sunday Aug 2014

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As regular readers will already know, I have been to a few public events over the last year or so. I am now a regular at the Leeds Steampunk market (in a vague, loose coalition operating under the title of the Tea Society with Ninfa Hayes and R.A Smith and others) and at World book night I did a reading in the Fab café in Manchester. Now, this coming weekend I am going to be at the Stockton Literary festival…

Me with Starburst columnist Ed Fortune in front of a TARDIS.

Me with Starburst columnist Ed Fortune in front of a TARDIS.

The problem is that I have absolutely no idea what to wear.

You see, for Steampunk it is easy. I actually have quite a selection of waistcoats and cravats and could even go so far as to get a top hat should I feel it necessary (I haven’t so far, mainly stuck with the waistcoat and cravat look and a gentleman would never wear a hat indoors…). Ok, I am not up there with the dedicated goggles and nerf guns with cogs on brigade but I can dress well enough to look like I belong. Most of the traders there are steampunked up to a greater or lesser extent and while there are usually many ‘non steampunks’ in the crowd, you don’t look like an idiot – the only person wearing costume.

For World book night I might have had the ‘what to wear’ dilemma. However, the necessity of having to go straight from work to the venue (via the train station to pick up Frances Hardinge) meant that I was more or less limited to wearing what I wore at work. Since that day also coincidentally happened to be the day a member of the Royal Family was visiting work, this meant I was in a rather more formal shirt and tie than normal. In the photos you can even see the cufflinks. Though I had taken off the jacket and tie by that point.

me2But Stockton is not Steampunk nor is it right after a royal visit. I therefore have more or less free choice in what to wear. This means I am being indecisive. I could do the casual jeans and nerdy t-shirt that I usually wear when not at work. I could also do a more smart casual look – a shirt with jeans. So long as I avoid looking like David Cameron on holiday (which is a fate worse than death in many areas) I will probably be ok… But then I am wondering if I shouldn’t dress up more – bring out the waistcoat and cravat look or go in an even more bizarre costume? There are rumours of cosplay possibly happening there, after all and Blake Northcott recently did a con in Canada dressed as a sexy female Spiderman…

So, while I ponder these issues, I’d love to know your opinions. How do you expect a writer to be dressed when you meet them? What have authors you have met worn for cons and events? How much does a writer’s clothing matter?

And those of you in the UK, feel free to pop up to Stockton on Tees on the 6th of September for a lot of fun…

literary festival

D.A Lascelles is the author of Lurking Miscellany, Transitions (Mundania Press) and Gods of the Sea (Pulp Empires). He lives in Manchester UK. You can sometimes see him writing about Zombie porn on https://lurkingmusings.wordpress.com/ but he mostly blogs about books, vampires, science fiction and Terry Pratchett. He is inordinately proud of the fact that one of his Pratchett articles was referenced on the French version of the author’s Wikipedia page.

Facebook: https://www.facebook.com/DaLascelles

Twitter: @areteus

Buy Lurking Miscellany (paperback)

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Lurking Miscellany release

02 Wednesday Jul 2014

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The release of Lurking Miscellany was on Saturday in Leeds, so now it is time to open up the book to the rest of the world.

The blurb (written for me by the wonderful Ninfa Hayes):

“It’s you!” She stood up and backed away, pointing accusingly at Orchil. “You’re doing this to me! You’re using some form of… of… magic.” What else could explain it? A spell, a curse, an inexplicable phenomenon. Magic!

Orchil laughed. “You really that stupid? I thought you followed the great god, Science? Sit, girl, sit and let me tell you how the trick was done. And that’s a rare thing, a Shaman explaining their magic, so you better listen well!”LurkingMiscellany-lg

An environmental activist with the power to control the elements;

A xeno-anthropologist Gate Tech seeking to learn the secrets of an alien race;

A shape changing fey playing havoc in a nightclub.

These are just some of the characters that live in the shadows of the secret worlds that surround us. Discover their stories in this enthralling anthology. Embrace the lurking miscellany.

If you want to acquire a copy of this collection of short stories you can do so in one of two ways.

First (and quickest) method is to go via Lulu and order a copy from their online shop. The link for this is to be found on my webpage under publications. I have even made it easy for you with a quick and simple buy link that gets you straight there.

The second method is to contact me either through this page (comment below) or on facebook or via my email address (dalascelles-writing@yahoo.co.uk) and ask me for a copy. You can even ask me to sign it for you if you like.
 
It is hoped that there will be more places to buy from soon. Just negotiating the delicate issues of self publication (which is totally new to me at the moment so learning a lot) and working through all possible routes of delivery and format. Hoping for Amazon listing to be available soon, for example. I will keep you all informed as to when a new way to purchase a copy emerges. Will at some point also be considering ebook formats too, though I think that may take a while as I suspect there will have to be a lot of formatting changes to make it work.
 
Also worth knowing that this collection is intended as a taster and also a chance for readers to tell me which story they liked the best. The one that gets the most votes will be developed further as a longer piece of fiction – either as a series of short stories/novellas or a complete novel. Once you have acquired a copy you can cast your vote by contacting me using the methods outlined in the Afterword. You can also post in the comments to this blog post.
 
 

 

Exit pursued by a Dalek… A tale of a fashionably late World Book Night

27 Sunday Apr 2014

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Myself and Ed Fortune sat in front of a TARDIS. Picture taken by Frances Hardinge

Myself and Ed Fortune sat in front of a TARDIS. Picture taken by Frances Hardinge

World Book Night happens annually on the same day as Shakespeare’s Death, the 23rd April. On this day, volunteers give out free books in order to encourage reading in those who do not read much. Being a World Book Night giver I was of course giving out books on that night…

Except I wasn’t. Because I was giving them away on the 24th April. A day late… Damned temporal distortions again.

That was the base concept behind the Fashionably Late World Book Night party at the Fab Café in the city centre of Manchester. To be fashionably late in giving away our books. So, I turned up at a Geek themed basement bar with a bag full of books and author Frances Hardinge in tow for a night of poetry, prose and free books.

And there were a lot of free books:

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Not only were there the 18 copies of Ben Aaronovitch’s Rivers of London and the 36 copies of Agatha Christie’s After the Funeral provided to our givers by the World Book Night charity but also a large collection of ex review copies of books that had been sent to the Starburst offices and which were now no longer needed. This meant that any SF or fantasy fan could walk out with quite a haul if they so chose and the murder mystery fans were not ignored either. The books proved very popular with the crowd in the venue. Some of them had come here just for the books, some of them had been drawn by the promise of readings by local writers and poets and the chance to hob nob with them. Many more had come because it was a Thursday night and they always went to Fab on a Thursday.

The readings and guest writers were also popular. Everywhere you went there were conversations between writers, poets and their fans in topics ranging from their latest books to why it is not possible to do a decent film version of Lovecraftian horror. The bar was doing a roaring trade and the atmosphere was friendly and open. The SF theme decorations added to the unique nature of the venue and had at least one contributor (who shall remain nameless) running around gleefully with a camera taking shots of Daleks, Cybermen and TARDIS’s left right and centre. I was also taking photos, of course, but in my case it was, um, for professional reasons.

 

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Even the presence of some of TVs most intimidating and scary villains did little to dampen the mood.

 

There was only one critic present at the event but he was notoriously brutal...

There was only one critic present at the event but he was notoriously brutal…

Though they did seem to lurk menacingly off stage whenever a writer was up doing their reading…

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reading3However, the presence of the resident critic from the Skaro evening Chronicle (tagline ‘News to exterminate to’) did little to deter the performers. We opened with R.A Smith who read an extract from his debut novel, Oblivion Storm. It went down well, he got applause and was not exterminated.

This was followed by, um, me… reading an extract from Transitions. This was my first ever public reading and I was petrified. Yeah, I know, I’m a teacher as well as a writer and yes speaking in public (sometimes in front of very hostile audiences) is part of the job. It’s practically all the job (well, apart from the planning, marking, admin and occasional public appearances for publicity) so I shouldn’t have been so scared. Shouldn’t but I was. You see, there is a difference between standing there and talking freely about a topic you know a lot about and reading something out loud. With the former there is room for improvisation and the chance to have discussions and take questions from the audience – to get them involved and active in the process. Reading aloud is more static and you have to stick to the script. It is not the time to start subconsciously editing your own work and reading out this new edited version instead of the published one (which I may have done a little bit). Also, the lack of light made reading difficult (thankfully the representative of Flapjack Press was able to supply a reading light to those who came after me to solve this problem). Despite all these issues I managed to struggle through the section where Gaius Lucius meets the mad old man in the cave and got my own round of applause and absence of extermination.

The poets and writers of Flapjack Press then took the stage in turns and wowed the audience with their poetry and prose. They included Tony Curry who read out poems relating to what it was like to be a man and Sarah Grace Logan whose poetry contrasted nicely with its more feminist vibe and her works based on the objects she sees daily in her work at the Manchester Museum.

reading10 reading11This was followed by Frances Hardinge who read out a chilling extract from her latest and as yet unreleased novel, Cuckoo Song. It was unfortunate that due to a postal service snafu there were no copies of this book available for sale or signing. If the expected parcel from her publisher had actually arrived that night would have been the first time and place that book would have been on sale in the reading15world – a true exclusive.

There was then a short break before the second half of the evening, this compered by another local poet, Anna Percy who also performed her own poetry. She was joined by Dermot Glennon, Zach reading25Roddis and the wonderfully anarchic comedy poetry of Jackie O’Hagan making this night a truly North Western literary occasion. All performers were well received by the audience and did sterling sets that ended in applause. More importantly, none of them were exterminated by the resident critic, for which I am sure they were all grateful.

Unfortunately we had to leave before the end, though I hear that the evening ended with dancing to nineties classics which I am sorry we missed. On the free book table as we left there were no more copies of Rivers of London and only a handful of copies of After the Funeral. The Starburst review copies were also much reduced, presumably meaning that there is now much more room in their offices for future ARCs. I grabbed a handful of the Agatha Christies as we said our final goodbyes to Anna Percy and the other contributors. Those copies were offered to students at my college the next morning and one was gifted to the college library.

Shown here are only a handful of the photographs I took that evening. I’d try to cram more in but I fear this blog post would be an endless sea of photography. If you want to seem more of them, you can go and look at my Flickr account. If any of the poets or writers who were there wish to  make use of any of these for their own web pages or blogs you may feel free. Contact me and I can send you the original copies. I’d appreciate an acknowledgement in return.

With such a successful night I am not sure how we can beat it next year but I am sure we will have a damn good try. There may have to be ballet dancing elephants.

 

 

Writing process questions

26 Saturday Apr 2014

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Neelima Vinod tagged me in the Writing Process Blog Tour. You may remember Neelima from Vampire Month a few years back and she has since been doing rather well for herself. This meme is an interview meme about the writing process so those of you who are interested may find out more about how I do things… maybe…

 What am I working on?

Well, the official answer has to be ‘shaping the minds of the next generation in the hope of getting them into university’ because at the moment I am mostly working on my day job of teaching. However, you want the writer answer and for that I am doing two things. One is working on the final stages of Gods of the Deep, the sequel to Gods of the Sea. That is with an editor and I have a cover waiting to be revealed which is awesome. The other is editing a selection of my short stories for publication in a collection I am calling Lurking Miscellany in honour of this blog. In addition to those two writing based things, I also have something I only found out about yesterday which I am not allowed to talk about. Which is ironic as it will involve me talking…

 How does my work differ from others of its genre?

I am not sure I am qualified to be able to say my work is different to any others. I’d like to think that it is but I consider that to be a question that readers should answer rather than me. If pushed to answer I would like to say that Transitions differs from many other romance works because of the BBW element. However, there is a whole genre of romance fiction based on that concept. I could also say that Gods of the Sea was either a pirate story set in a fantasy universe or a fantasy story set in something other than the Tolkienesque fantasy setting – either way a slight deviation from cliché. However, many of my influences (such as Barbara Hambly) are writers who have done similar. There is a lot of fantasy out there now which is veering away from the Tolkien influences of my youth and I consider this to be a very good thing.

Why do I write what I do?

I started writing while in school and found that I enjoyed it a lot. However, I never really considered what I wrote as worth publishing and so I mainly did it for fun. Of my current published works, I wrote Transitions because of an interest in both Roman history, specifically the history of the town of my birth, and in the paranormal. Gods of the Sea I wrote because there was a call for submissions for a pirate themed anthology and I had an idea for it which I thought might work.

 How does my writing process work?

Chaotically. In the terminology of the Absolute Write forum, I am definitely a Panster (someone who writes by the seat of their pants) rather than a plotter (someone who carefully plans out the sequence of events in their story). Whenever I tried to write like a Plotter I found I could not do it and I actually think that everyone has their own preferred way of working which fits how their own mind works rather than there being any ‘one true way’. I often get ideas when my body is doing one thing (walking, tidying, etc.) and my mind is free to wander, the only problem is that I rarely get time to sit down and get those ideas down on paper. However, any idea that survives in my mind until I get time to write about it is likely to be one worth keeping while those that don’t I am probably better off losing. I also tend to be encouraged by necessity. Both of my published works have come about because there was a pressing need to get something submitted to a project I wanted to be involved in so I stopped wallowing in uncertainty and just got on with it.

I’ve also worked in different ways for different projects. For Gods of the Sea I basically sat down over Christmas and splurged out most of the story over a couple of days. I was not even aware of what I was writing until I reviewed it later. For Transitions, however, it was a more careful process and for that I had actually started out with the beginnings of two very different stories (an historic romance about a Roman soldier and his dying wife and a contemporary romance set in Birmingham) which I then realised could be merged into one.

 

Thank you Neelima for tagging me! You can read about her process here.

As part of the game, I’m tagging two writers for you to blog hop to.:

R.A Smith is the author of the wonderful Oblivion Storm and its sequel Primal Storm. You can find him on Facebook here.

Ninfa Hayes is the author of Bites and Nannies Inc . You can find her on Goodreads here.

[Vampire Month] Interview with Isabella Favilli

08 Saturday Mar 2014

Posted by in Musings, Vampire Month

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Here we have an interview with Isabella Favilli, a former graphic designer turned fine artist turned photography editor turned graphic novel artist…

1) What is the first thing you remember drawing or painting?
A horse, I was four and everyone was kinda impressed, my mom still has it.Isabella
2) When did you first think you might be able to make a living as an artist?
When I was choosing my high school at fourteen, the idea was to become a graphic designer but after graduating after 5 years I realized that it was not the kind of art I loved the most; Fine Art was more what I loved and althought I was not quite sure I could make a living out of it, I still loved to paint and draw, but it stayed as a hobby for a long time, there was not much work to be found back in Italy.

3) What would you consider to be your greatest strength as an artist? What about your greatest weakness? How do you overcome this weakness?
My greatest strength is something I have been told more than realized myself.
People often tell me that the people (fantasy or real) that I make a portrait of have eyes with a soul, they can communicate real emotions, which I think it is a good thing.
My weakness? I sometimes think I might not be anything special to stand out.
As for how I overcome my weakness, I try to listen to my heart and how it feels when I look at my art work, and I also listen to what other people feel about my work, see if they receive the message I was trying to put into it; sometimes we are our worse critic, but what’s more important to me is that my work makes someone feel something, even if it isn’t what I was trying to say, any interpretation is as valid.

Figurative Art is a bit like music, it can take people to their personal place and it does not matter if it is not the same as the one that inspired the artist, once it is out, it’s for everyone to see in it what they like. It’s not good to be stuck to your own interpretation.

Petrov

Petrov

4) Tell us about the places where you have lived. Have you ever derived any inspiration from your home or from anywhere you have visited?
I was born in Rome, Italy and lived there till i was twenty six, when I moved in Manchester, and after I had my daughter in 2009, I moved in Yorkshire.
I have visited many regions in Italy, Tuscany is one of my favourite and I spent a very long time in it, I found Prague very inspiring and Paris. I particularly enjoyed seeing The Impressionists in Jeux De Paume in Paris, because together with Caravaggio they are my favourite painters.
Being born in Rome has surely given me an input when it comes to the variety of Art I got to see live, but my favourite subjects are people more than places; I have however painted a scene which was inspired by ancient roman ruins, it is still one of my favourite paintings and my best friend has proudly hanged it in her living room, when I look at it I can almost smell the air of my home town.

5) What would you consider to be your greatest influence and inspiration?
I find my heart’s darkest places to be the greatest influence, pouring that darkness out has often helped me overcome the toughest times of my life.

6) What appeals to you about Vampires?
The are beautiful, immortal and merciless but some humanity still lingers in them. I like that battle behind their eyes: between their hunger and their feelings.

7) What do you think is the attraction for Vampires? Why are they such a popular topic?
I think there is something very erotic in them, and that battle I was talking about is often present in us humans. The instinct of our nature often battles against our feelings or our society conventions. I see my own struggles in them sometimes, I am sure many others do to.kiSS
And just imagine, being immortal and powerful, with great power of seduction, I think there is a lot to be attracted to.

8) In a fight between all the greatest Vampires of fiction, who do you think would come out on top?
Lestat: no one has killed him yet. He has been burnt, switched body, taken to Hell, taken to Heaven, loved, killed… he is around, as glorious as he has ever been.

9) What about in some other contest such as sexiness or dress sense? Who would win that one?
Dracula, from the movie Dracula 2000 by Wes Craven. I
have never seen a sexier vampire than the Dracula that walks in the Virgin
Store  in Dracula 2000. Gerard Butler totally got the sexiness of his character, even the Scottish accent suits him! Ok, I do have bias in this case tho…
Gary Oldman also did an amazing job as Dracula, the moment in the movie that he introduces himself to Mina is a total swoon, it is also my favourite Dracula movie, I have seen it more times that I can count and know it by heart.

 

10) How well do you think one of your characters would fare against the winner(s) of the above?
I am afraid my characters would not stand a chance between the most powerful and the most ancient vampire, but then again they would probably be willing victims. I think my characters secretly dream to be Lestat or Dracula’s eternal companion.

11) Tell us about your latest work.
It’s a vampire kiss, only the mouths are visible, are they gonna bite? Are they gonna kiss? There is a suspension there, open to everyone’s fantasy.

I also drew the characters from a novel called The Last Of The Blood, they don’t look particularly vampirish, but they are none the less vampires. I liked the story, written by Ninfa Hayes, and felt inspired.