Tags
books, Coch a Gwyn, creative-writing, Fiction, gods of diplomacy, humanvoicesonly, lurking omnibus, short stories, voice acting, writing
Friday 26th June was the kick off for the Human Voices Only campaign across various social media. Using the hashtag #HumanVoicesOnly, it brought together voice artists and writers to showcase the talent of the written and spoken word.
A number of voice artists and writers took part in the campaign. Each writer submitted short extracts of their work (up to a minute’s worth of reading time, so about 200 words) and they were assigned to voice actors. The actors recorded their interpretation of the piece and put together a video for posting on Instagram, Facebook and TikTok.
I submitted three extracts, expecting maybe one of them. I was pleasantly surprised to find all three got recorded!
The pieces submitted were all from Lurking Omnibus, my short story collection. Two were from Coch a Gwyn, my totally not a Love Story about dragons. The third was from Gods of Diplomacy, the Arcroc tale where Captain Rachel Drake has to go undercover to stop a nefarious womanising diplomat. The story where I had to stop myself from having her say ‘The name’s Drake, Rachel Drake…’
All three were read by Abby Hopewell who did a remarkable job interpreting the characters and themes with very little guidance from me.
It was quite a weird feeling to hear my words said aloud by someone else. Quite the ego trip. I have done readings of my work at conferences before (anyone who knows me knows I am not shy about this) but I am seriously considering hiring Abby just to come to cons to do it for me. Not that I could afford that… If I can figure out a way to sell it, I would also consider hiring her to read the full versions of some of the stories. Not had much experience of selling audiobooks though so this may have to be a long term plan.
I was also amused to see the comments on the videos on Insta. Lot of people liked the characters (or, in one case, said they already hated one of them… in a nice way…).
So, all in all, a very positive experience and one which has, I am sure, made progress in promoting the idea that creativity and art should be human not AI.
The other two videos are shown below…

















When John, Paul, George and Ringo appeared in the films A Hard Day’s Night and Help! they basically played themselves – the four cheeky lads from Liverpool – quick witted, dressed in collarless suits performing the best music of the day (and beyond actually) crafted by their own fair hands. But of course the plots that entwined the Beatles in those movies were fictitious: Paul’s fictional grandad in the form of Wilfred Brambell accompanying the boys on the train journey in A Hard Day’s Night and Ringo’s ring being sought after by an exotic cult in Help! Because they maintained their characters in fiction as in real life it opened up a door for their fans to somehow get an authentic insight of their idols, and no matter how absurd the storyline may be, it became a believable journey for the viewer (except perhaps the pursuit of Ringo’s ring!).
The first time I personally took note of a firm intention to mix fact with fiction in the literary world was through Dan Brown’s novels featuring the fictional character Professor Robert Langdon, a Harvard University professor of religious iconology and symbology. Brown’s novels Angels & Demons, The Da Vinci Code and The Lost Symbol introduces us to mind opening themes such as a bloodline of Jesus Christ, secret societies, the Masons, Opus Dei, the Illuminati and the Knights Templar. Some of these exist or existed. Fact. But as one reads Brown’s undoubted page turners it is often difficult to fathom exactly which is fiction and which is fact. And there you have it – suddenly the story is believable no matter how extreme the journey may take us. The reader can connect on an emotional level yet still be wildly entertained.
reality and I weave in facts with fiction to assist with that journey remaining believable. In Beneath the Floodlights I introduce the concept of vampires merging with a football team. Pretty random huh? One injection of fact I use in that particular novel is setting much of the book in Sutton Park, 2000 acres including ancient woodlands. Sutton Park is the seventh largest urban park in Europe and it is soaked in history. By the 10th century Sutton Park was established as a Royal Forest by the Anglo Saxon kings of Mercia and by the early 12th century, the Normans used it as a deer park. The land was then given to the people of Sutton Coldfield by King Henry VIII in 1528 and it had been used by that very same king for hunting. A bonafide roman road also cuts through a section of the park. So by using these facts, straight away I had a solid foundation to create a gripping tale.