• …
  • About
  • Vampire Month Alumni
  • World Book Night

Lurking Musings

~ Musings of a newly published writer

Lurking Musings

Tag Archives: Nathan Fillion

Disney and Star Wars?

31 Wednesday Oct 2012

Posted by D.A Lascelles in Film

≈ Leave a comment

Tags

Cthuhlu, Disney, Eliza Dushku, elizabeth bennet, entertainment, George Lucas, horror, Jane Austen, Joss Whedon, Megan Fox, Michael Bay, Nathan Fillion, pirates of the carribean, Pride and Prejudice, Serenity, Sigourney Weaver, Star Wars, videogames


Today, on this hallowed day that celebrates horror in all its forms, the internet is abuzz with news of a horror beyond even the worst imaginings of your average geek.

No, it is not that the stars are right for the rise of Great Cthuhlu from the vasty depths of R’lyeh. Despite what the great Mayan practical joke would have us believe about the end of the world being nigh, Cthuhlu is not likely to be rising anytime soon as he forgot to set his alarm clock before he went to bed.

Mitt Romney before his morning cup of coffee

And no, it is not the news of a new version of Jane Austen’s Pride and Prejudice directed by Michael Bay and starring Megan Fox as Elizabeth Bennet and Sigourney Weaver as a modern, lesbian take on Mr Darcy with more explosions, car chases and giant robots than any previous version of Pride and Prejudice…*

It’s not even as horrific as the possibility of a new version of Babylon 5 written by Stephenie Meyer with a new concept for Vorlons which has them as ‘sparkly’…

No, the true horror that has gripped geekdom this Halloween is the news that Disney has bought the rights to Star Wars…

People are rightly concerned. They see Disney as a twee insititution which whitewashes over stories to make them far less dark than they actually are. They also look at John Carter and consider what a mess was made of that film. They quake in fear at the possibility of an animated Star Wars with a big goofy dog instead of a wookie and jedi with large ears and squeaky voices… and the joke memes are already coming in thick and fast.

Me, I am optimistic… While Disney is indeed guilty of the crime that was John Carter, other voices on the internet have spoken up and said such things as ‘But what about Pirates of the Carribean? And what about Avengers?’ Yeah, what about them? Disney is as responsible for those two success stories as they are for John Carter and, frankly, I think two phenomenal successes totalling two excellent films and 2 sort of OKish sequels to one of them make up for one failure.

And amidst all the discussion one possibility has arisen which has got many excited. The name Joss Whedon has crawled its way out of the lamentations… Disney got him to do Avengers, are hiring him again for the sequel… what if they also attached him to the Star Wars project?

Think about that for a moment, revel in it. A new Star Wars film, written and directed by Joss Whedon. Could it get any better than that? What would such a film likely include? Well, here are my predictions…

1) A kick arse female jedi. One thing the Star Wars films have always lacked was female jedi. They exist in the universe, there are even books that include them as characters and some of the computer games also have them, but they have never really been seen on the big screen. Whedon is known for his kick arse female characters – Buffy and River Tam being his main ones – and he even managed to give Black Widow some Buffyesque moments in Avengers. I think Whedon would take this step and make the female lead a jedi instead of a constitutionally confused princess in a republic. That or make one of the bad guys a kick arse woman in black leather. Possibly played by Eliza Dushku…

2) Smugglers. One thing I always felt the prequels lacked was the presence of a smuggler style character. A Han Solo to Luke’s clean cut farm boy, a Jack Sparrow to Will’s clean cut blacksmith. The relationship between the morally dubious Han Solo and the rest of the cast in Star Wars was an integral part of the character dynamic which was lacking in the prequels and made them so flat as a result. I think Whedon would insert such a character because he knows only too well the importance of there being friction between the characters. Now, in the ideal dream world, this smuggler character might well be played by a certain Mr. Nathan Fillion, who would no doubt leap at the chance, but that may depend on whatever other projects he is working on at the time… and at this point you have to ask yourself the very important question: Exactly how tempted would Whedon be to make Star Wars VII as close to Serenity II as he possibly can without anyone noticing?

3) Story. Joss Whedon understands how stories work. He has an almost innate grasp of structure and knows how to insert tension and plot to keep a film interesting for the viewers. The prequel trilogy seemed to drag in places, Whedon would make the story jump and move.

4) One liners. Another thing Whedon is good at are pithy one liners that get geek juices flowing. His characters quip and joke and worry about ordinary day to day things – not everything is all about the plot.

I could go on, I could regale you with endless points discussing at length the things that Joss Whedon would bring to the Star Wars franchise if someone let him get his greasy hands on it. But I think you have got the point already and I am aware that many of you may well have stopped reading at point 2 above and are currently sitting there with a dreamy expression and sighing the words ‘Nathan Fillion’ over and over again and therefore lost to any further eloquent arguments. So I will end there with only a final entreaty to Disney… MAKE THIS HAPPEN! Please…

*Note to Hollywood, just in case you do want to make this film, you can buy the rights off me. I’ll do you a good deal for it. I think the world is ready for a lesbian Miss Darcy. Have your people call my people… well, maybe wait a bit so i can acquire some people then call them or maybe just call me direct. If it helps I can pretend to be my own people and go through the rigmarole of pretending to put you through various departments until you get me. i’ll even do the voices.

Being a Brit

17 Monday Oct 2011

Posted by D.A Lascelles in TV

≈ 4 Comments

Tags

Adelle De Witt, Anthony Stewart Head, Buffy the Vampire Slayer, Dollhouse, Eliza Dushku, Firefly, Joss Whedon, Nathan Fillion, Olivia Williams, Rupert Giles, Sarah Michelle Gellar


I feel I should warn you – this post is at risk of getting a little fanboyish. I think it is only fair that you get this warning because, as I am sure we are all aware, there are dangers inherent in second hand fanboyishness and it is my civic duty to ensure that you are saved from it.

Now that the ‘official government health warning’ is out of the way, I can get on with what I want to talk about today. Joss Whedon.

There, see, look what happened. The moment I say his name someone squeals and faints. It’s only relief I was not planning to talk about Nathan Fillion… Oh, bugger… Er, I’ll wait until the paramedics have sorted everyone out before I continue.

So, yes, Joss Whedon. I don’t think I need to bother with any introductions. I suspect that anyone with any claim to a semblance of geekdom is at least aware of the name of someone who is possibly one of the more influential people in geekery. He brought us Buffy the Vampire Slayer and revolutionised perceptions of horror while demonstrating that Sarah Michelle Gellar and Eliza Dusku look really hot in leather pants. He brought us Firefly and showed us that you do indeed get cowboys in space and that Nathan Fillion looks hot in cowboy duds. He created Dr. Horrible and showed how success is possible even without the big business backing and that Nathan Fillion looks hot in skintight t-shirts. He brought us Dollhouse and demonstrated that Eliza Dusku looks really hot in leather pants. Oh, and there was some quite profound lesson about equality, slavery and not treating people like objects in there too.

So, needless to say, he has had an influence and there has been much said about his attitude to strong women (‘Why do I write strong female characters?’), his feminist ideals both positively (Joss Whedon on Feminism) and negatively (A Rapist’s view of the world), his ability to subvert stereotypes (Mal’s best moments)  and concerns that he intends to kill off all the much loved Avengers characters in the upcoming film (‘What to expect when expecting Joss Whedon’s Avengers’ – pay especial attention to the comment about a major death in act 3).

What I want to talk about is his attitude to the British. In particular the English. You see, from the point of view of us over here in this tiny little kingdom of ours, the US has a strange opinion of us. ‘English’ accents are either very RP (to the extent that you would believe everyone is related to the Queen and went to the same elocution teacher) or so cockney that ‘within the sound of Bow bells’ can be interpreted as being as far away from London as Northumberland. We are invariably the bad guys in most Hollywood portrayals. As Eddie Izzard does say on one of his stand up tours, we are the only ethnicity it is still OK to demonise. I often find myself cringing whenever I see a British character portrayed on screen by American writers and directors and while many great actors do their level best to keep the side up they often end up mired in the cliches.

Now, Joss Whedon is guilty of these crimes. I am not denying that. His English characters (Buffy’s Rupert Giles, Dollhouse’s Adelle De Witt , Firefly’s Badger among others) display a cornucopia of stereotypes from the aforementioned RP accent to a liking for tea. However, the portrayals often come across as more than the stereotypes. I am not sure why this is, it seems hard to analyse the reasons for it. Perhaps it is due to the great acting talent that is employed in these characters (because it cannot be denied that there is some talent here). Perhaps it is how that talent is directed or how well it is written. However it comes about, English characters in Joss Whedon productions seem to acquire a vitality and depth which is often lost in other portrayals of ‘Englishness’ in American productions. Rupert Giles, for example, is overtly the stiff upper lipped English academic stereotype but as you delve deeper into his character you see the tearaway teenager he once was, before he became a Watcher, and the dodgy demon summoning occultist he was at University. Then there is the fatherly affection he has for the Slayer which is very understated but still present in every scene Anthony Stewart Head has with Sarah Michelle Gellar. Some of these elements come out in occasional, teasing flashes and you come to realise that the ‘bumbling librarian’ is actually a very clever front based on expectations.

Adelle De Witt is similar. On first viewing she is cold, efficient and immoral; all played excellently by Olivia Williams. Willing to serve in a role that is actually a high class, glorified Madam in a very expensive brothel. There are hints she does this for wealth and power – the connections to the Rossum corporation clearly guaranteeing both. However, as Dollhouse progresses, we see cracks in the Ice Maiden facade. They first appear in the first season episode Echoes (episode 7) when a drug causes all characters involved to reveal snippets of their secret inner selves and from that point on more and more of the ‘inner De Witt’ comes to the fore. As the series progresses we see less of the ice maiden, a common stereotype for strong English women, and more of the concerned mother who cares for all under her charge. As season two progresses, you see her face her demons and choose a side in the upcoming conflict between Rossum and the rest of the world, finally picking a side based on moral grounds rather than profit. In De Witt’s case, I believe it is a case of having to repress her natural instincts in favour of succeeding in a career and then facing a situation that even she cannot ignore.

Perhaps what we have here is a combination of Whedon’s desire to approach genre stereotypes and subvert them – showing the viewer an unexpected outcome to the one they expect – combined with an ability of skilled actors and writers to really get under the skin of these characters and  give them a great deal of depth. It applies to all the characters portrayed in the Whedonverse but I think it is especially relevant to his English characters because it is so rare to see them portrayed as being more than the stereotype. Also because, you know, I’m English and I like to see some role models of our greatest stereotypes done well.

And note, not once did I mention that his greatest British creation, the Cockerny Vampire Spike, is played by an American… 🙂

I am also wondering what we might expect in The Avengers. Will we get some interesting, British characters added to the Marvel universe?

Twitter Updates

  • Just entered the Behind the scenes competition on @PurplePort #photo #competition #PurplePort purpleport.com/competition/vi… 1 week ago
  • Just entered the From the future competition on @PurplePort #photo #competition #PurplePort purpleport.com/competition/vi… 2 weeks ago
  • @CBRedWriter Its well deserved. 2 months ago
  • @faithdlee Yes, amazing disco. Much 80s. 2 months ago
  • Just entered the Resistance competition on @PurplePort #photo #competition #PurplePort purpleport.com/competition/vi… 3 months ago
Follow @areteus

Like me on Facebook

Like me on Facebook

Enter your email address to follow this blog and receive notifications of new posts by email.

Join the Lurkers

Enter your email address to follow this blog and receive notifications of new posts by email.

Join 2,006 other followers

Recent Posts

  • Eastercon Artshow
  • Interview: Gillian Polack
  • Blending the Con
  • The Elementals: Russell A Smith interview.
  • New Year Dog

Blog at WordPress.com.

  • Follow Following
    • Lurking Musings
    • Join 2,006 other followers
    • Already have a WordPress.com account? Log in now.
    • Lurking Musings
    • Customize
    • Follow Following
    • Sign up
    • Log in
    • Report this content
    • View site in Reader
    • Manage subscriptions
    • Collapse this bar