Tag Archives: R.A Smith

[Vampire Month] Modus Vamp-erandi by R.A Smith

19 Thursday Mar 2015

Posted by in Vampire Month

≈ 3 Comments

Tags

, , , , , , , , , , , ,


 

R.A Smith now shares with us his thoughts on Vampires, including how they relate to the infamous ‘Inverse Ninja rule’… Take it away, Russ…

R.A Smith at the Labyrinth Literary Festival

R.A Smith at the Labyrinth Literary Festival

So, vampires then.

I’ve actually been hoping to get on this little tour for some time. Which, if you’ve been reading any of my published works, you might find a little odd, as I haven’t had anything published about vampires at all. I suppose before I start, it might be an idea then, for me to let you into two or three little secrets of mine.

 

–              I am a big fan of vampires

Well, by now you’ve read my first post, and so will know that. I was big on the Hammer films, but have had the likes of The Lost Boys, Francis Ford Coppola’s Dracula, the exceptional Near Dark and the wonderfully amusing John Carpenter’s Vampires to keep me going on screen. By book, I think we’re spoilt for choice.

–           My first NaNoWriMo win was a vampire story.

It is not ready for public consumption at the moment. Far from it. But there are a few ideas in there I like, some I really like. Rest assured, when I’m happy to unleash it upon the world, it will be because I’ve reached a truly happy place with the manuscript.

–  I’m afraid of vampires— though not in the way that you might think. I’m afraid of writing them. More to the point, I’m afraid of writing them badly. Here’s the thing. These bloodsuckers are such an ubiquitous part of our lives now that it’s getting harder and harder to write something truly new and cool with them. But to write them, you have to get to know them. How they work. Where and what to look for.

They hide in the shadows, they own the night. Occasionally, they change into beasts, rarer times see them shift into fog, and of late, some are even capable of becoming a golden glitter. Were it that Dracula found himself capable of such an alteration, then perhaps Van Helsing would have never stood a chance against something so devastatingly dazzling.

Where vampires haven’t changed much at all is that they live off us humans, deliberately, or by necessity. That’s not like a small squad of leeches (who, it must also be pointed out, have lent their medical qualities to us over some centuries for a small food parcel from time to time). That’s not like being caught out swimming with hungry sharks, when you might just happen to be around and they decide you’re worth a nibble. Nope—often, you’re the main course, and won’t be able to just walk the other way from the big, vicious beast roaming your backyard. These days, a vampire will appear just as one of your neighbours, leaving you unaware you’re in any danger at all until the last minute.

Perhaps the greatest change that has happened over the time has not just been the look, or the style, it’s been the attitude. Though vampires have been in mythologies worldwide in many different flavours for a long time now, the 19th century saw a massive rise in popularity by way of the Gothic novel. There, we had the likes of The Monk, Sheridan Le Fanu’s Carmilla and of course, the original Prince of Darkness himself brought to us by Bram Stoker: Dracula. These were solitary creatures, a mighty monster in the shadows usually somewhere around a nice quiet village or an otherwise ordinary existence. They would come along and turn an idyllic, or more likely dreary, set of lives on their head, often fatally for some.

Back in the day of the gothic novel, there’d be some notice, in that a discerning villager would know where to look—or more specifically, where to never, ever go. “Oh, that castle up the top of the hill, you don’t wanna go there,” they would fruitlessly attempt to warn the latest newcomer to their residence which no outsider had previously ever visited. Naturally, said tourist couldn’t help but rush headlong into the mystery of the cursed/oppressive ruling noble, and thus be thrust into the centre of a likely perilous adventure.

Now, these tourists had a rather frequent habit of landing a few villagers in even bigger bother than normal, whilst dragging some of their own friends, family and lovers on to the vampiric silver platter (no, wait—not silver; in quite a few imaginings, silver ranges from inconvenient to terminal for vampires. Let’s just go with dinner table, shall we?), which tends to end in pitchforks and torches, possibly stake for a main course for the vampire and a bunch of villagers safe from being preyed upon by an ancient terror.

No doubt down to this frequent occurrence, vampires often moved away from the village model and went for a less conspicuous approach of just blending into a big city. With the increase in population, the advent of nightclubs and the presence of corporate head offices, it’s possible to cram in quite a few bloodsuckers these days, and often in a way that makes them much less literal, and more metaphorical. And so from the creeping horror we had back in the days of the gothic novel, and even quite often bypassing horror, we have now moved into keeping young adults entertained, as they experience the vampire in a whole new context of creepy.

Along the way as well, vampires have joined many other supernatural creatures in finding their way into urban fantasy, which is where I tend to live. Believe it or not, it turns out that some of the denizens of the night aren’t happy with their lot, even if they are vampires themselves, or half vampires, a lot of the time (don’t ask). They won’t be tourists, because this is their city, dammit, but it’s rare our (anti)hero will be at top of the vampire tree. A change in theme then, from mysterious monstrosity in the shadows to an attempt to change, or destroy, the system from within.

And in here lies one of the first great constants. Your lives are never quite going to be the same with even one vampire around.* The reasons are varied, the choices are few. And like it or not, they’re fascinating creatures, sometimes in an involuntary sense. The thing is, human beings are rather accustomed, in nature’s hierarchy, to being at the apex of the food chain. We have technology on our side, even in what we believe to be the most primitive of civilisations by our thinking. We can make fire, store water, manipulate air and mine the earth. We have hundreds of languages and many methods to ease communication. And we can replicate just about anything else Mother Nature is likely to throw at us in one method or other. And if we can’t, you can bet your car keys that someone is working on it as we speak.

I guess what I’m saying to you is this: if your boss *really* doesn’t do mornings, someone accidentally splashes you with quite a lot of water just to check if you do anything other than curse them (another poor choice of words) or a club or pub you rock up to has a suspiciously high quantity of mirrors, there is a chance of vampiric activity in your very town! But don’t worry—they’ll keep to themselves. If you do decide to check into some local history though, do tell me. I’d be keen to know if you turn up anything I might need to know about…

 

*There is a Law of Diminishing Vampires, which leads me to consider they may have more in common with ninjas than they let on. One alone is usually some master type and tough as nails, but if they turn up in a mob, a team of suitably experienced and determined (not to mention appropriately armed) mortals should be able to handle themselves as their relative strength is frequently diluted.

R.A. Smith

Russell is a displaced Londoner, now living in Manchester, and is writing in the hope of funding his car addiction. He lives with his girlfriend, two kittens, a small army of bears and two larger armies of miniatures.

An avid gamer, he is happy mashing buttons on a Playstation pad but happier mashing his mates in a field at weekends or slaying demons with dice, a pencil and paper.

He has held an eclectic collection of jobs, including editing a student magazine, several stints as a Tudor soldier and a mission in Moscow. He still does hold a Masters in Creative Writing, which he took to force himself to finish at least one novel. The plan worked better than expected.

Feel free to stop by on Twitter: @RASmithPSL or the blog site projectshadowlondon.wordpress.com. There’s also the Facebook page: https://www.facebook.com/Mister.R.A.Smith.

[Vampire Month] R.A Smith Interview

17 Tuesday Mar 2015

Posted by in Vampire Month

≈ 6 Comments

Tags

, , , , , , , , , ,


This week we have R.A Smith in the chair, being expertly probed with Vampire mesmerism and ‘love bites’. He is the author of the Grenshall Manor series of books. Oblivion Storm and Primal Storm are out now and he is currently working on book 3 which also has Storm in the title but I am not going to reveal it in full yet…

R.A Smith at the 2014 World Book Night at FAB cafe

R.A Smith at the 2014 World Book Night at FAB cafe

What is the earliest memory you have of writing? What did you write about?

A solid memory comes from an English class, in which I got the best news ever in that our assignment was simply, “Write a story.” Not being a hugely keen on homework pupil, but brimming with ideas, I went away and worked on one for just about the entirety of the weekend. There were aliens involved, is about all I can remember, and it was in secondary school. We got back in on the Monday and our teacher happened to be in a bad mood, and decided, at length, to give the entire class a dressing-down. He spent longer with some of us than others, however, and I was called out in front of the entire class for having written “seven sides of rubbish.” To this day, I haven’t forgotten. I tend to remember harder when I need motivation the most.

When did you decide to become a professional writer? Why did you take this step?

A combination of unemployment and some unfinished business from my M.A. course got me started with what eventually became Oblivion Storm. It was a strange thing to be busier in out-of-work patches than I have been in 9-5 days, but set me on a path from which I’ve never truly stopped.

What would you consider to be your greatest strength as a writer? What about your greatest weakness? How do you overcome this weakness?

I think I have two big strengths: a love for writing a good action scene and a willingness to continue to learn new things about my craft. I love working out action scenes work and putting them into action. On the second point, I like the ‘research’ elements of reading in multiple genres, watching films and listening to songs and finding inspiration in these things. Sometimes it is a simple, “how would/should I approach this?” and other times just an appreciation of how wonderful a scene/character is to me.

Weakness? As usual, these things tie into strengths nicely. I can struggle for focus in slower scenes which are nonetheless essential either for exposition or another story purpose. You know the bits where things aren’t really happening but a conversation, flashback or even a painting which happens to be important to the tale can just feel like a grind at times. I handle it the same way as I do any other scene though, try and bring myself into the atmosphere a little with music or other ambience (within reason). Or, you know, I just double up on writing session snacks.

Tell us about the place where you live. Have you ever derived any inspiration from your home or from anywhere you have visited?

I currently reside in Manchester, but was born in Croydon, much further south in England. My home town has definitely had a part in my work before—specifically, a pub I grew up passing just about every day called The Half Moon. It closed down years ago but that actually kind of made it all the more useful for a fictional urban fantasy section. It was as it was rather than as I remembered it, having been way too young to go into it when it actually existed! There’s another venue before my time, a much more famous one, that I will be incorporating into my WIP, but its exact geography is almost a point in itself…

As for Manchester, well, it’s where Kara, an ever-present in the Grenshall Manor Chronicles so far, hails from. It’s another I’m hoping to delve into a little further in the next work.

Which book, if any, would you consider to be your greatest influence and inspiration?

This is what I like to call an evolving question. It’s amazing how I’ll change my answer to this from one week to the next, or depending upon where I am, who I’m talking to and/or what about. Because this is Vampire week, and because it comes up a lot, I’m going to choose Bram Stoker’s Dracula here. Just how much has been spawned from this one book? I find it incredible, and very inspiring.

What drove you to write about Vampires?

I’m kind of cheating here, in that I haven’t officially released a vampire novel as such. I have a scruffy manuscript at home on an idea I really want to come back to and develop one day, but I’m not ready to make it what I want to yet. It has very much been a spin-off tale from the Dracula universe though, I can tell you that much.

That said, certain aspects of the vampire novel live in certain Grenshall Manor Chronicles characters, in particular Lady Mary Grenshall and Aurelia Raine. They are very opposite sides of the coin in their inspiration though, with Raine’s main traits very firmly entrenched in the predatory aspects that only an adversary with her resources can. Wealth, status and access to raw supernatural power make her a foe to be reckoned with in Oblivion Storm.

The new cover of Oblivion Storm

Mary’s own power is as much a curse as a blessing, which I very much equate to the vampire’s necessity for blood to survive. It doesn’t work quite like that, and she won’t be biting necks any time soon, but in Oblivion Storm and Primal Storm, the reader will see her struggling with the significant price her powers come with. You’ll notice that if she cuts loose with everything she has, she is utterly formidable, but every power has a consequence. She can gain inhuman strength, but has to drain another mortal’s life energies by touch to do it [editor note: This is actually a good definition of a vampire – gaining power from the lifeforce of others]. She can extract memories from others by the same means, but she can’t just ditch them once she has them. If she really wants to, she is capable of raising the dead. BUT.

What do you think is the attraction for Vampire fiction? Why is it such a popular topic?

I find vampire fiction tends to gain popularity in cycles. It is often easy to equate to current social trends, to which I must point you at one of the greatest Cracked.com articles ever written in my opinion [link here: http://www.cracked.com/article_19402_6-mind-blowing-ways-zombies-vampires-explain-america.html ]

Also, since we decided there is a genre for just about everything going from A-Z, it’s a measure of the strength of bloodsuckers in our culture (allegorical or no) that they can be found under several headings. Gothic? We were there from day one, man. Urban Fantasy? Pretty much a staple along with their hairier counterparts (and often foes). Horror? You betcha! Comedy? Sometimes. Children’s stories? Plenty. The rules may change, but the game remains the same.

In a fight between all the greatest Vampires of fiction, who do you think would come out on top?

Despite Anne Rice’s Lestat being an epic-level vampire, I’m going to continue being a terrible Stoker fanboy and going for Dracula again. However I have the firmest possible reasoning. Count (pun intended) the number of times that Drac has been destroyed that you can recall. Now see how often he stays dead. Even BUFFY couldn’t keep him slayed! Should tell you everything!

What about in some other contest such as sexiness or dress sense? Who would win that one?

Pam from True Blood. One of my favourite characters anywhere, let alone one of my favourite vampires. Her wit is sharper than any vampire’s dress sense, and those bloodsuckers are dapper as hell.

How well do you think one of your characters would fare against the winner(s) of the above?

I doubt most vampires would want to go anywhere near any of the self-labelled New Musketeers. However, if I had to pick a champion, Lady Mary Grenshall is any vampire’s worst nightmare. She’s poor nourishment for them for a start, and can guarantee any one of them a bad night just by turning up.

The old (first edition) cover of Oblivion Storm

The old (first edition) cover of Oblivion Storm

Tell us the basic premise behind your latest novel.

My latest released novel is Primal Storm. It follows a year on from Oblivion Storm and shifts the focus from high-octane adventures with the undead to an action adventure in the living world—and beyond. Jennifer Winter, one of Mary’s new friends from book one, steps up to her own tale and we start with her attempting to get herself fighting fit almost a year after sustaining grievous injuries at the hands of one of the main villains there (note I am working hard to avoid spoilers to those who haven’t read Oblivion Storm). Though Jennifer, being way beyond normal human physical capability, needs to push herself a little harder. She takes up parkour and runs around London, straight into a daring robbery attempt upon the British Museum! What initially appears high-tech turns out to be something else entirely, and her interference sets her on a path which delves into her own origins, some of which she doesn’t know herself! Jennifer must endure a harsh voyage of self-discovery in an entirely new world before she and her friends can face their new enemy. Discover the prophecy of the Face of War and who or what is truly behind the robberies right here!

 

Bio

R.A. Smith

Russell is a displaced Londoner, now living in Manchester, and is writing in the hope of funding his car addiction. He lives with his girlfriend, two kittens, a small army of bears and two larger armies of miniatures.

An avid gamer, he is happy mashing buttons on a Playstation pad but happier mashing his mates in a field at weekends or slaying demons with dice, a pencil and paper.

He has held an eclectic collection of jobs, including editing a student magazine, several stints as a Tudor soldier and a mission in Moscow. He still does hold a Masters in Creative Writing, which he took to force himself to finish at least one novel. The plan worked better than expected.

Feel free to stop by on Twitter: @RASmithPSL or the blog site projectshadowlondon.wordpress.com. There’s also the Facebook page: https://www.facebook.com/Mister.R.A.Smith.

[Vampire Month] The return of the undead never dying month

01 Sunday Mar 2015

Posted by in Musings, Vampire Month

≈ Leave a comment

Tags

, , , , , , , , , , , ,


So here we are again, another year, another March, another month of dark posts about evil blood sucking parasites with a strong aversion to sunlight and the vampires they write about.Vampire

This year looks to be an interesting one, not least because I filled all the available slots way back at the end of last year rather than the usual last minute panic. The keen is strong in the writers we have this year and I think there may well be some fascinating topics covered in the guest posts.

The line up (in no particular order) is:

Jennifer Ponce, author of Blood Curse and its upcoming sequel.

R.A Smith, author of the Grenshall Manor series. Book 3 is currently in the process of being written

A.J Campbell, a newly published author with her debut novel, Wyrm’s Reckoning out soon

Elizabeth Morgan – author of Cranberry Blood

We are also featuring the photography of Ste Manns from Quattrofoto, who you may remember from the Realm fantasy shoots.

https://flic.kr/p/pLCy3p

 

###

D.A Lascelles is the author of Lurking Miscellany, Transitions (Mundania Press) and Gods of the Sea (Pulp Empires). He lives in Manchester UK. You can sometimes see him writing about Zombie porn on https://lurkingmusings.wordpress.com/ but he mostly blogs about books, vampires, science fiction and Terry Pratchett. He is inordinately proud of the fact that one of his Pratchett articles was referenced on the French version of the author’s Wikipedia page.

Facebook: https://www.facebook.com/DaLascelles

Twitter: @areteus

Buy Lurking Miscellany (paperback)

Buy Lurking Miscellany (Kindle)

What to wear…

31 Sunday Aug 2014

Posted by in Musings, Publicity

≈ 4 Comments

Tags

, , , , , , , , , , , , , , ,


As regular readers will already know, I have been to a few public events over the last year or so. I am now a regular at the Leeds Steampunk market (in a vague, loose coalition operating under the title of the Tea Society with Ninfa Hayes and R.A Smith and others) and at World book night I did a reading in the Fab café in Manchester. Now, this coming weekend I am going to be at the Stockton Literary festival…

Me with Starburst columnist Ed Fortune in front of a TARDIS.

Me with Starburst columnist Ed Fortune in front of a TARDIS.

The problem is that I have absolutely no idea what to wear.

You see, for Steampunk it is easy. I actually have quite a selection of waistcoats and cravats and could even go so far as to get a top hat should I feel it necessary (I haven’t so far, mainly stuck with the waistcoat and cravat look and a gentleman would never wear a hat indoors…). Ok, I am not up there with the dedicated goggles and nerf guns with cogs on brigade but I can dress well enough to look like I belong. Most of the traders there are steampunked up to a greater or lesser extent and while there are usually many ‘non steampunks’ in the crowd, you don’t look like an idiot – the only person wearing costume.

For World book night I might have had the ‘what to wear’ dilemma. However, the necessity of having to go straight from work to the venue (via the train station to pick up Frances Hardinge) meant that I was more or less limited to wearing what I wore at work. Since that day also coincidentally happened to be the day a member of the Royal Family was visiting work, this meant I was in a rather more formal shirt and tie than normal. In the photos you can even see the cufflinks. Though I had taken off the jacket and tie by that point.

me2But Stockton is not Steampunk nor is it right after a royal visit. I therefore have more or less free choice in what to wear. This means I am being indecisive. I could do the casual jeans and nerdy t-shirt that I usually wear when not at work. I could also do a more smart casual look – a shirt with jeans. So long as I avoid looking like David Cameron on holiday (which is a fate worse than death in many areas) I will probably be ok… But then I am wondering if I shouldn’t dress up more – bring out the waistcoat and cravat look or go in an even more bizarre costume? There are rumours of cosplay possibly happening there, after all and Blake Northcott recently did a con in Canada dressed as a sexy female Spiderman…

So, while I ponder these issues, I’d love to know your opinions. How do you expect a writer to be dressed when you meet them? What have authors you have met worn for cons and events? How much does a writer’s clothing matter?

And those of you in the UK, feel free to pop up to Stockton on Tees on the 6th of September for a lot of fun…

literary festival

D.A Lascelles is the author of Lurking Miscellany, Transitions (Mundania Press) and Gods of the Sea (Pulp Empires). He lives in Manchester UK. You can sometimes see him writing about Zombie porn on https://lurkingmusings.wordpress.com/ but he mostly blogs about books, vampires, science fiction and Terry Pratchett. He is inordinately proud of the fact that one of his Pratchett articles was referenced on the French version of the author’s Wikipedia page.

Facebook: https://www.facebook.com/DaLascelles

Twitter: @areteus

Buy Lurking Miscellany (paperback)

Buy Lurking Miscellany (Kindle)

[Review] Primal Storm

27 Tuesday May 2014

Posted by in Review

≈ 2 Comments

Tags

, , , , , , , , ,


Primal Storm (Book 2 of the Grenshall Manor Chronicles)
By R.A Smith
Published by Xychler Publishing

This sequel sees the aftermath to last year’s Oblivion Storm and our heroes Mary, Jennifer and Kara are adjusting to their new lives. Mary has taken full possession of Grenshall manor and has spent most of her time learning about her new found abilities over ghosts and nursing the almost fatally wounded Jennifer. Kara has been finding her skills as a paranormal expert becoming more in demand.

Then, Jennifer, feeling trapped by her status as an invalid and needing to stretch her legs, sneaks out to exercise and stumbles onto a very well organised robbery of the British museum run by a crack team of supernaturals. Her intervention in this and her resemblance to a figure in a work of art known as ‘The Face of War’ leads her into a conspiracy of secret societies, supernatural artefacts and a confrontation with her own past and true nature.

Unlike Oblivion Storm, which focussed on Mary and her connection to the realms of shadow, Primal Storm is almost entirely Jennifer’s show. As such it is a very different story that veers away from the spooky events occurring between an atmospheric Victorian London and the modern day and into an action orientated plot. Several scenes come across as more like an X Men movie than a paranormal horror as Jennifer Winter tears into her enemies Wolverine style. Likewise, the flashbacks are not to Victorian London but to Jennifer’s childhood where a history of abuse and accusations of murder lead her to becoming the woman she is and explain her connection to the mysterious and vibrant Primal realm. Meanwhile, Mary and Kara travel Europe on a mission to rescue Jennifer and encountering a variety of characters on the way including the very same supernaturals that Jennifer is involved with and someone with the very same abilities Mary has.

The loss of spooky atmosphere could have been a weakness here but it is more than made up for by the change of pace, including the dark and violent nature of Jennifer’s past. The flashback scenes are brutal and honest and reveal a woman who has risen from extreme adversity into her eventual greatness. However, one weakness that is apparent is Smith’s presentation of some characters. While all the female characters come across as strong, three dimensional creations his male characters seem to lack depth. Having said that, at least one of them showed a lot of promise and if he is to return for book 3 it can be hoped that there will be a chance to develop him some more. This would be a good thing as it is nice to see a character of colour represented in a non clichéd way.

Overall Primal Storm is an enjoyable read. It holds onto enough elements of Oblivion Storm to make it a familiar setting but then takes off into new directions that explore and expand on that setting a great deal. According to Smith himself, the plan for book three (as yet unnamed but I am guessing the word Storm will be in there somewhere) is to focus on Kara – the one non-supernatural member of our trio of heroes. I for one am intrigued to see how she develops in this final instalment. If her back story is anywhere as interesting as Jennifer’s we are in for one hell of a finale.

Exit pursued by a Dalek… A tale of a fashionably late World Book Night

27 Sunday Apr 2014

Posted by in Musings

≈ 7 Comments

Tags

, , , , , , , , , , , , , , , , , , , , , , , , , , ,


Myself and Ed Fortune sat in front of a TARDIS. Picture taken by Frances Hardinge

Myself and Ed Fortune sat in front of a TARDIS. Picture taken by Frances Hardinge

World Book Night happens annually on the same day as Shakespeare’s Death, the 23rd April. On this day, volunteers give out free books in order to encourage reading in those who do not read much. Being a World Book Night giver I was of course giving out books on that night…

Except I wasn’t. Because I was giving them away on the 24th April. A day late… Damned temporal distortions again.

That was the base concept behind the Fashionably Late World Book Night party at the Fab Café in the city centre of Manchester. To be fashionably late in giving away our books. So, I turned up at a Geek themed basement bar with a bag full of books and author Frances Hardinge in tow for a night of poetry, prose and free books.

And there were a lot of free books:

freebooks6

Not only were there the 18 copies of Ben Aaronovitch’s Rivers of London and the 36 copies of Agatha Christie’s After the Funeral provided to our givers by the World Book Night charity but also a large collection of ex review copies of books that had been sent to the Starburst offices and which were now no longer needed. This meant that any SF or fantasy fan could walk out with quite a haul if they so chose and the murder mystery fans were not ignored either. The books proved very popular with the crowd in the venue. Some of them had come here just for the books, some of them had been drawn by the promise of readings by local writers and poets and the chance to hob nob with them. Many more had come because it was a Thursday night and they always went to Fab on a Thursday.

The readings and guest writers were also popular. Everywhere you went there were conversations between writers, poets and their fans in topics ranging from their latest books to why it is not possible to do a decent film version of Lovecraftian horror. The bar was doing a roaring trade and the atmosphere was friendly and open. The SF theme decorations added to the unique nature of the venue and had at least one contributor (who shall remain nameless) running around gleefully with a camera taking shots of Daleks, Cybermen and TARDIS’s left right and centre. I was also taking photos, of course, but in my case it was, um, for professional reasons.

 

hobnobbing7interview2

 

 

 

 

 

 

 

Even the presence of some of TVs most intimidating and scary villains did little to dampen the mood.

 

There was only one critic present at the event but he was notoriously brutal...

There was only one critic present at the event but he was notoriously brutal…

Though they did seem to lurk menacingly off stage whenever a writer was up doing their reading…

reading6

reading3However, the presence of the resident critic from the Skaro evening Chronicle (tagline ‘News to exterminate to’) did little to deter the performers. We opened with R.A Smith who read an extract from his debut novel, Oblivion Storm. It went down well, he got applause and was not exterminated.

This was followed by, um, me… reading an extract from Transitions. This was my first ever public reading and I was petrified. Yeah, I know, I’m a teacher as well as a writer and yes speaking in public (sometimes in front of very hostile audiences) is part of the job. It’s practically all the job (well, apart from the planning, marking, admin and occasional public appearances for publicity) so I shouldn’t have been so scared. Shouldn’t but I was. You see, there is a difference between standing there and talking freely about a topic you know a lot about and reading something out loud. With the former there is room for improvisation and the chance to have discussions and take questions from the audience – to get them involved and active in the process. Reading aloud is more static and you have to stick to the script. It is not the time to start subconsciously editing your own work and reading out this new edited version instead of the published one (which I may have done a little bit). Also, the lack of light made reading difficult (thankfully the representative of Flapjack Press was able to supply a reading light to those who came after me to solve this problem). Despite all these issues I managed to struggle through the section where Gaius Lucius meets the mad old man in the cave and got my own round of applause and absence of extermination.

The poets and writers of Flapjack Press then took the stage in turns and wowed the audience with their poetry and prose. They included Tony Curry who read out poems relating to what it was like to be a man and Sarah Grace Logan whose poetry contrasted nicely with its more feminist vibe and her works based on the objects she sees daily in her work at the Manchester Museum.

reading10 reading11This was followed by Frances Hardinge who read out a chilling extract from her latest and as yet unreleased novel, Cuckoo Song. It was unfortunate that due to a postal service snafu there were no copies of this book available for sale or signing. If the expected parcel from her publisher had actually arrived that night would have been the first time and place that book would have been on sale in the reading15world – a true exclusive.

There was then a short break before the second half of the evening, this compered by another local poet, Anna Percy who also performed her own poetry. She was joined by Dermot Glennon, Zach reading25Roddis and the wonderfully anarchic comedy poetry of Jackie O’Hagan making this night a truly North Western literary occasion. All performers were well received by the audience and did sterling sets that ended in applause. More importantly, none of them were exterminated by the resident critic, for which I am sure they were all grateful.

Unfortunately we had to leave before the end, though I hear that the evening ended with dancing to nineties classics which I am sorry we missed. On the free book table as we left there were no more copies of Rivers of London and only a handful of copies of After the Funeral. The Starburst review copies were also much reduced, presumably meaning that there is now much more room in their offices for future ARCs. I grabbed a handful of the Agatha Christies as we said our final goodbyes to Anna Percy and the other contributors. Those copies were offered to students at my college the next morning and one was gifted to the college library.

Shown here are only a handful of the photographs I took that evening. I’d try to cram more in but I fear this blog post would be an endless sea of photography. If you want to seem more of them, you can go and look at my Flickr account. If any of the poets or writers who were there wish to  make use of any of these for their own web pages or blogs you may feel free. Contact me and I can send you the original copies. I’d appreciate an acknowledgement in return.

With such a successful night I am not sure how we can beat it next year but I am sure we will have a damn good try. There may have to be ballet dancing elephants.

 

 

Writing process questions

26 Saturday Apr 2014

Posted by in Musings

≈ 2 Comments

Tags

, , , , , , , , , , ,


Neelima Vinod tagged me in the Writing Process Blog Tour. You may remember Neelima from Vampire Month a few years back and she has since been doing rather well for herself. This meme is an interview meme about the writing process so those of you who are interested may find out more about how I do things… maybe…

 What am I working on?

Well, the official answer has to be ‘shaping the minds of the next generation in the hope of getting them into university’ because at the moment I am mostly working on my day job of teaching. However, you want the writer answer and for that I am doing two things. One is working on the final stages of Gods of the Deep, the sequel to Gods of the Sea. That is with an editor and I have a cover waiting to be revealed which is awesome. The other is editing a selection of my short stories for publication in a collection I am calling Lurking Miscellany in honour of this blog. In addition to those two writing based things, I also have something I only found out about yesterday which I am not allowed to talk about. Which is ironic as it will involve me talking…

 How does my work differ from others of its genre?

I am not sure I am qualified to be able to say my work is different to any others. I’d like to think that it is but I consider that to be a question that readers should answer rather than me. If pushed to answer I would like to say that Transitions differs from many other romance works because of the BBW element. However, there is a whole genre of romance fiction based on that concept. I could also say that Gods of the Sea was either a pirate story set in a fantasy universe or a fantasy story set in something other than the Tolkienesque fantasy setting – either way a slight deviation from cliché. However, many of my influences (such as Barbara Hambly) are writers who have done similar. There is a lot of fantasy out there now which is veering away from the Tolkien influences of my youth and I consider this to be a very good thing.

Why do I write what I do?

I started writing while in school and found that I enjoyed it a lot. However, I never really considered what I wrote as worth publishing and so I mainly did it for fun. Of my current published works, I wrote Transitions because of an interest in both Roman history, specifically the history of the town of my birth, and in the paranormal. Gods of the Sea I wrote because there was a call for submissions for a pirate themed anthology and I had an idea for it which I thought might work.

 How does my writing process work?

Chaotically. In the terminology of the Absolute Write forum, I am definitely a Panster (someone who writes by the seat of their pants) rather than a plotter (someone who carefully plans out the sequence of events in their story). Whenever I tried to write like a Plotter I found I could not do it and I actually think that everyone has their own preferred way of working which fits how their own mind works rather than there being any ‘one true way’. I often get ideas when my body is doing one thing (walking, tidying, etc.) and my mind is free to wander, the only problem is that I rarely get time to sit down and get those ideas down on paper. However, any idea that survives in my mind until I get time to write about it is likely to be one worth keeping while those that don’t I am probably better off losing. I also tend to be encouraged by necessity. Both of my published works have come about because there was a pressing need to get something submitted to a project I wanted to be involved in so I stopped wallowing in uncertainty and just got on with it.

I’ve also worked in different ways for different projects. For Gods of the Sea I basically sat down over Christmas and splurged out most of the story over a couple of days. I was not even aware of what I was writing until I reviewed it later. For Transitions, however, it was a more careful process and for that I had actually started out with the beginnings of two very different stories (an historic romance about a Roman soldier and his dying wife and a contemporary romance set in Birmingham) which I then realised could be merged into one.

 

Thank you Neelima for tagging me! You can read about her process here.

As part of the game, I’m tagging two writers for you to blog hop to.:

R.A Smith is the author of the wonderful Oblivion Storm and its sequel Primal Storm. You can find him on Facebook here.

Ninfa Hayes is the author of Bites and Nannies Inc . You can find her on Goodreads here.

A tale of World Book Night

26 Friday Apr 2013

Posted by in Musings

≈ 2 Comments

Tags

, , , , , , , , , , ,


So, this Tuesday gone was World Book Night and yours truly was there in Costa Coffee Prestwich for a night of books.

The lucky recipients show off their acquisitions

The lucky recipients show off their acquisitions

It was actually quite a while ago, on one of our regular writers’ group meetings that R.A Smith suggested that we do something for World Book Night. The plan: All five of us apply to be Givers on the WBN webpage and we organise an event together in a local library in order to give them away. At the same time we would do readings and give aways and other things to keep the punters amused. We support the cause of spreading the love of reading, get some local community kudos and maybe a bit pf publicity for our own projects as an added bonus side effect.

So, with alacrity we set this plan in motion by us all logging into the WBN website and submitting our applications. We each applied for different books as our first choices and enough variation in second and third choices in order to hopefully avoid any overlaps and began to discuss the event itself.

Our initial plan of using libraries fell a little flat. We got no response from any of the libraries in Stockport, where a good number of our members lived, so at a quite late stage we had to expand our search to other areas. Being selfish and lazy and not wanting to travel more than a short distance, I offered to check out the possible venues in Prestwich, all of which are only a short walk from my house. Prestwich library were very helpful when I visited them and told me that they were closed on Tuesday afternoon (insert rant about local council budget cuts and their impact on local services here…) which was why they could not host (unless they could find a member of staff willing to work overtime for no pay) but suggested that I talked to the Coffee shop just over the plaza from them as they sometimes hosted events for them. I did just that and very soon we had a venue set. All that remained then was publicity…

The books laid out ready

The books laid out ready

Another problem was when we got the notification of what books we had got. We found that only three of us had been appointed givers (myself, Joy Phillips and Ed Fortune) which was more than 50% which was good. However, despite our careful planning, we got two batches of the same book. This meant we had 40 copies of John Wagner’s The Dark Judges and only 20 of Malorie Blackman’s Noughts and Crosses. Nevertheless, this gave us the challenge of having 60 books in total to give away to anyone who wanted them…

On the day itself, we got to the coffee shop by 530pm to be ready for a 6pm start. We laid our books out on one table and on another we put all our publicity stuff – bookmarks and leaflets and so on. Ninfa Hayes had thought to provide a double sided A4 sheet with extracts from two of her stories on it which I thought was a nice touch and we’d also each thought to bring along copies of all our in print books for guests to browse through. Since Transitions is not (yet) in print, I had a copy of Pirates and Swashbucklers for this.

I had been concerned that we had not done enough publicity, that no one would bother to show up. However, these concerns were soon dispelled as people began to filter in. Some people we already knew, friends of ours who lived locally, but there were also a good few who were not known to us who had been drawn here by the leaflets and posters. There were discussions, with each of us drawn off into small groups to talk about the books or our books or publishing in general and while there was an initial mistrust of the ‘free books’ (a number of people asked how much they cost…) they were soon snapped up by all there. The ‘demo’ books were also much read, being passed around from person to person. It is to be noticed that Oblivion Storm is not shown in the photograph of the ‘swag table’ This was because it was at the time being ardently read by someone. Ninfa was even nice enough to let one of the guests take one of her paperback copies of Bites away with them – signing it for her too.

We ended the event with two readings, both done by R.A Smith. One was from Oblivion Storm the other from Bites. I had intended to do a reading from Transitions but realised that the only copy of it I had on my Kindle was actually a pre-edit copy and so not the best for a reading.

By 8pm, the official end of the event, the pile of 60 books had been reduced to a much smaller pile. We had only a couple of copies of

The swag

The swag

Noughts and Crosses and about 15 of The Dark Judges. Several of these were snapped up by the event guests as they left. One copy of each was taken to be put into the library of a local school (which I personally consider a win) and several of the rest were grabbed by some friends of ours to give out to random people they saw on their way home (at least one copy was given to the staff of the chip shop we all stopped at for dinner). At the end, we were left with 8 copies of the Dark Judges and none at all of Noughts and Crosses.

I hope that all those out there who took books will enjoy them… I do feel proud of what we achieved on that day and I think a number of the event guests enjoyed the event a great deal. Next year we plan to do the same again and this time make it bigger and better!

As for the 8 books we have left… well, they are there to be given away and we *could* just give them away to people we meet in the street or leave them in a pub or on a train or something like that. However, we have discussed it and decided to run a competition to decide who gets the books. Therefore, myself, R.A Smith and Ninfa Hayes will be taking at least two of the books each and will be announcing how you can win them very soon…

A few things here and there

05 Friday Apr 2013

Posted by in Musings

≈ Leave a comment

Tags

, , , , , , , , , , , ,


Well, Vampire Month is finally over and I have just got back from a brief holiday during which I had my birthday. It’s been a rather successful month with some great vampire writers contributing some really good articles on a range of subjects. In this first week of april, however, there have been a few things cropping up here and there which need to be shared.bookmarks

First of all, I was interviewed by Michael Brookes over at The Cult of Me blog. The interview went live yesterday and in it you can find out all sorts of things about me. Go over there and check it out. I talk about the first book I ever wrote which, thankfully, no longer exists save as a bad memory and a few other things.

Secondly, I have signed up for Authorgraph. This is a system which allows signatures to be added to ebooks. You can find Transitions on there by following this link: http://www.authorgraph.com/authors/areteus. Basically, you can click the ‘request authorgraph’ button and I will get a notification telling me you are wanting a signature. I can then choose to do this freehand (using a touchscreen or mousepad but be warned my ‘handwriting’ is terrible using a mouse…) or using a font. I can also add an inscription. You basically get a pdf of this with a picture of the book cover sent to you. This app seems to be a good way to fill a niche caused by the ebook revolution. I have heard many say that one thing you cannot do with an ebook is sign it. Now, I will not say that this is going to replace ‘signed copies’ in any way (I am not convinced, for example, that you will be able to sell the signed ebook copies for a greater value) but it is a step in that direction. It will be interesting to see how it works out over the next few years.

Scan this using your mobile phone and an appreopriate tagging app...

Scan this using your mobile phone and an appreopriate tagging app…

Finally, preparations for World Book Night are progressing. Myself, Ninfa Hayes (author of Bites), R.A Smith (author of Oblivion Storm), Ed Fortune (columnist for Starburst magazine) and Joy Phillips (upcoming debut novelist and organiser of innovative new LRP Fall of Vusoria) are getting together to give away free books to anyone in the Manchester area who wants to come and get them. We will be announcing a venue sometime soon (hopefully). It should be a good night and we have around 60 books between us to giveaway. As part of this I have decided to have some bookmarks made up and I have also sorted out a couple of QR tags so that people with mobile phones can scan them and quickly and easily buy a copy of my books in any ebook format. I am rather proud of the bookmarks, which I designed myself using elements of the cover for Transitions.

So, if you fancy meeting any one of us, getting any of our work signed or just want a free book, feel free to pop along on the 23rd of April and all of this will be possible…

Location, Location, Location… Part One: Arbeia Roman Fort

18 Tuesday Dec 2012

Posted by in Musings, Photos, Publicity, Reaearch

≈ 1 Comment

Tags

, , , , , , , , , , , , , ,


A week ago I was at one of the somewhat irregular meetings of our relatively newlyformed writers’ group (which has yet to gain an official name but is sort of soldiering on under the name of ‘the Tea Society’). Among the many discussions and random witterings, including some interesting ideas regarding World Book Night which I will share with you later, we got onto a discussion about location photographs. Later that week, during the launch of Oblivion Storm, R.A Smith opened a thread which was a ‘virtual tour of London’ using Google Earth, Streetview and Panaramio to showcase locations from the book.

The reconstructed gatehouse of Arbeia Roman fort in South Shields

The reconstructed gatehouse of Arbeia Roman fort in South Shields

So this got me to thinking. When writing Transitions I used a few locations which were familiar to me and as part of the research for the book I took a number of photos to get a better feel for the locations. I was also, at the time, thinking about the cover of the book and what a cover artist may want with regards to inspiration if not actual images they could use to mock up a decent composition.

cave1

One of the many caves aong Marsden beach

I had largely considered that to be that. The photos I had taken were between me and my cover artist and have since been left on my Flickr account not doing much. However, during the aforementioned discussion of my writers’s group, Ninfa Hayes mentioned that readers often like to see such things. Thinking about it, I agreed with her so I decided to share some of these location shots with you. There are three main locations discussed in Transitions – Arbeia Roman Fort and the surrounding area, the Roman City of Aqua Sulis ( which became modern day Bath) and the University of Birmingham and surrounding area.

So, this first post is all about Arbeia. This was a fort built by the Romans in 120 AD to

A shot of Marden beach showing the lift that led down into the pub (which was closed at the time).

A shot of Marden beach showing the lift that led down into the pub (which was closed at the time).

act as a resupply depot for Hadrian’s wall. Since the fort was in my hometown it seemed an obvious place to base Gaius Lucius, my Roman character. Of course, there were a number of slight historical issues I had to contend with. Gaius Lucius, for example, is not Arabic like many of the soldiers at Arbeia would have been. Though to be fair, I don’t actually mention his origin so he could well be Arabic. However, throughout the writing of the story I did imagine him as being from Gaul. Another issue is the fact that the fort was founded in 120 AD and I had originally considered the story being set much earlier, perhaps 10 – 30 year after the death of Jesus. Instead, the timing of the fort meant I had to shift my timings to post 120 AD and opted for 123 AD as being not too long after this point. I also flanged over the fact that it is likely the fort in this period was not going to be as well established as is implied in the story. I hope you consider these to be minor issues and also points which you were likely not to have noticed until I pointed them out to you just now… 🙂

A close up of one of the deeper caves

A close up of one of the deeper caves

Of course, Gaius is never seen at the fort. Instead, he is first seen travelling along a beach to find a cave in which a mad old man lives. That beach, in case anyone is interested, was what is now known as Marsden beach. I am not aware of there ever having been mad old wisemen living in caves on Marsden beach but I accept there is a chance there could have been. There have always been rumours of smugglers there in the past , using the caves to hide goods and there is a pub, the Marsden Grotto, which popular rumour has was a place where these smugglers would hang out. I am currently drawing on this in another story which I am in the middle of writing – a sequel to Gods of the Sea. The pub is also said to be haunted (one of the ghosts being that of a notorious smuggler, as it happens) and has been the subject of one of those over the top ‘Britains most haunted’ style shows.  With all of these features, it struck me as a wonderful inspiration for a location where a Roman could meet a mad old Briton for a bit of supernatural advice.

So, there you have it. How Arbeia Roman Fort and Marsden beach inspired the first part of Gaius Lucius’s story in Transitions. In a later entry I will talk about the city of Bath and the University of Birmingham and how they are linked to the story.