Tags
books, guest posts, Lestat, Megan Cashman, Vampire, Vampire Month, Vampires
Today we have a guest post from Megan Cashman, author of The Dark Proposal. Here she speaks about the social isolation of vampires.
IN THE SHADOWS, A VAMPIRE LURKS…
Vampires are often portrayed as living apart from the human world. They have to avoid sunlight, and humans are their blood source. These creatures of the night tend to rarely interact with humans on a personal level, and if they do, their motivations may not be so kind.
Which makes one wonder: how would a vampire see the human world? They live detached from it, sometimes for many centuries. Even a newborn vampire would have to eventually let go of their emotional connection to humans so they can adjust to their new existence.
So what does the human world mean to vampires, aside from being sources of nourishment? I would think they obviously see us as being physically weaker, and maybe that would inspire a vampire to see themselves as superior, at least physically. That doesn’t seem avoidable.
What about our intellectual level? If a vampire has been around for ages, then it has consumed enough knowledge and possibly intelligence to outdo many smart humans. Now if that vampire is a dimwit, then it is a question if that can be cured after many centuries.
How about our emotions? I’m sure vampires feel empathy for their own, but it will be hard for a vampire to have much empathy for its source of blood. How many of us think of cows or pigs when we eat beef or pork? You might if you were a vegetarian or vegan. But if a vampire drinks from humans, then it could have the same attitude that we have toward the animals we eat.
This is why vampires can be such frightening creatures. They are definitely stronger, possibly smarter, and less emotionally inclined towards us. Depending on the vampire’s age, there’s a chance that spending centuries living apart from humans has decreased any empathy levels the vampire might have. It certainly doesn’t help if humans are its source of blood, and it certainly doesn’t help that a vampire has more strength and life experience to likely look down at humans. So, I would not be so surprised if a vampire is callous and even brutal towards humans.
If it were compassionate toward humans, I would wonder its age. Is it a few years into its vampire existence? Then it’s still holding on to its humanity. A few decades old? Then its probably being nostalgic. A few centuries? I would say that compassion is an act and I would advise anyone to think twice of ever spending a few minutes with that vampire. Unless, of course, it has enough age and experience to trick anyone into thinking it is not a vampire, and one with ulterior motives.
If you are interested in learning more about Megan, feel free to explore the following links:
Blog: megancashmanbooks.wordpress.com
Twitter: @MeganCashman
Facebook: Facebook.com/megancashmanbooks
Goodreads: https://www.goodreads.com/author/show/6519000.Megan_Cashman
Kindle: http://www.amazon.com/dp/B009AL4RKE
Smashwords: https://www.smashwords.com/books/view/276775





Gary Oldman also did an amazing job as Dracula, the moment in the movie that he introduces himself to Mina is a total swoon, it is also my favourite Dracula movie, I have seen it more times that I can count and know it by heart.






![[Guest Post] What is Horror? by Rebeka Harrington](https://dalascelles.co.uk/wp-content/uploads/2012/06/bram-stokers-dracula-dracula-mina.jpg?w=225&h=300)

certainly never read it. That stuff was for girls, after all. When I were a lad my reading was all fantasy and SF, cool stuff with lasers and swords and demons and stuff. Romance was not in the picture. After all, I would hardly consider the sort of relationships that Conan had as ‘romance’, more reinforcing an unhelpful misogynistic male stereotype, and Elric of Melnibone was too obsessed with his own self destructive angst to worry about such things. Typical teenage boy stuff.


Of course, there is the inevitable love triangle which seems unavoidable in stories where the primary character is female. The one here is entertaining as it involves both the rogueish Hubert – the blast from the past who the main character never trusted then and certainly doesn’t now – and the stiff and proper Agent Mallory – whose overly formal demeanour disguises some interesting flaws and dark secrets, of which his opium addiction is only a minor one. The triangle is also suitably kept in the background rather than being the focus of the story as it becomes very clear that Eleanor’s true love is actually Egypt itself and, in particular, her quest to find out what happened to her mother and how it ties in with the rings of Anubis. This drive, along with her being a slightly older heroine than normal at 30 years old and having a dubious past, serve to make her a very interesting character who manages to be strong and feminine without resorting to unrealistic clichés. This allows her to carry the book and makes all her responses realistic and believable.