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Lurking Musings

~ Musings of a newly published writer

Lurking Musings

Tag Archives: Dublin

Blending the Con

19 Tuesday Jan 2021

Posted by D.A Lascelles in Musings

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Conventions, Dublin, EasterCon, Jacey Bedford, Manchester, Mancunicon, Ruth Francis Long, Virtual cons, worldcon, Zoom


In case you hadn’t noticed, there is something of a global pandemic going on at the moment. You may have picked up hints of it amongst the news of insurrection in the US… This pandemic has led to a series of different measures to try to manage the impact ranging from total lockdown to the uniquely confusing Tier system in the UK.

RomanceSFF panel

Photo of me on the SFF Romance Panel at Worldcon 2019 taken by Carien Ubink‎

This has, understandably, led to some issues with the normal running of events. Anything that requires a large number of people to get together in one place for an extended period of time is a high risk for spreading a virus so any number of LARP events, conferences, conventions and the like have been cancelled since March last year and in some cases we have got to the point where the rescheduled events are at risk of being cancelled as well. Some events, such as the New Zealand Worldcon in August, went fully virtual. Others are still waiting for when they can plan new dates for fully in person meets.

With this in mind, Eastercon (which was due to be in Birmingham last year but got cancelled) has been planning for a number of possible outcomes when it returns on the 1st to the 4th of April, 2021. This is probably wise as there seems to currently be no reliable way to predict the extent of the virus or the progress of the government’s response to it by then and therefore no real way to know what restrictions will or will not be in place.

So, Eastercon’s plans are to assume that at least some of the con will be virtual. Even if hotels are allowed to have guests and host events, even if a significant portion of the UK population have been vaccinated, there is still a high risk that international members of the con will not be allowed to travel into the UK so they need to work on accomodating them. So, working with available technology to figure out how to have both in person and virtual attendees both on panels and in the audience.

Which led me to thinking… assuming we eventually do rid ourselves of the pandemic with its Tiers and Lockdowns and endless Zoom meetings, how should this change conventions in the future?

During the first lockdown in March 2020, there was a lot of talk about ‘the new normal’ and how our newfound powers of being able to ‘work from home’ (that we’ve really sort of had since the 90s but nevermind) would change the workplace. Some assumed that once the pandemic was gone ther would be a return to the ‘old normal’. Others suggested that, having realised that it is possible, some might ask for more chances to work from home. How will conventions go in this? Will they return to as it was before or will they adapt by adopting some of the tricks they learned during lockdown? I’m going to consider some possible benefits of the latter…

Authors incliding Jacey Bedford and Ruth Long doing a panel at Mancunicon Eastercon

Mancunicon – me on a panel about Romance with Jacey Bedford and some others. There was standing room only… Taken by Russell Smith

One huge advantage will be space. Eastercon and Worldcon are both getting much bigger. To the extent that some venues can no longer house them adequetly. In 2016, Mancunicon in Manchester had significant  problems with space, with some panels being in rooms that were too small for the audiences who wanted to see them. Hell, this was so bad that even a panel I was on had standing room only and people waiting outside because they were not allowed in. At Worldcon 2019 in Dublin, a guest of honour almost did not make it to a panel I was moderating because the room was full so they were stopping people getting in. Luckily they knew who she was and let her in. This can lead to disappointed attendees because they cannot get into something they wanted to see and be an issue for the organisers who might have to deal with complaints and also set up systems for queuing for panels so there is no huge crush at the door. While the obvious solution might be ‘hire bigger venues’ that comes with the problem that, actually, in the UK at least we seem to be running out of ones that are big enough.

So, running the convention virtually will minimise this to an extent. First of all, attendees present in person might be disappointed that they could not get into the room. However, if the panelists are all on camera and the panel is being streamed, they can access it on a laptop or tablet or even a smart phone in the bar or even their hotel room.

Secondly, more people can be members of the convention full stop. A set number of ‘physical tickets’ can be sold to those who want to attend in person but there can also be ‘virtual tickets’ on sale at a lower price. This increases the overall income of the convention, which should hopefully cover additional cost of the tech to achieve it. This may be an option for some international attendees. I know that I could never afford the travel to the US or New Zealand for a Worldcon but I could afford a ticket to watch elements of it online.

Another issue, linked to the above, is volunteers appearing on panels, workshops, talks etc. As pointed out above, not everyone can travel to a con. Some simply due to distance but others maybe because of disability or childcare issues or similar commitments. There have been a few people who I would love to see on a panel or doing a talk at a UK convention like Eastercon but they have been based in the US or Canada and while some Eastercon attendees are from the States, it is still a significant investment in time and money to make the trip. If the tech can be in place to project a panelist on a screen so they don’t have to be present in the room but they can still interact with the panelists who are present and the audience if needed this would be an improvement.

OK, my experience of conrunning is limited – I volunteer at some cons but have not had to organise the logistics of one to any extent – and my experience of AV is based purely on using it to teach and the same experience as pretty much everyone else since March 2020 so I may be missing huge issues with this. However, I do see that this is an opportunity to think about this longer term than just the current crisis. Like workplaces in general, maybe it is time to start working out what the ‘new normal’ is actually going to be.

My Worldcon experience: Final day

08 Sunday Sep 2019

Posted by D.A Lascelles in Conventions

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Tags

#holdahugo, Dublin, Eastercon 2020, Glasgow 2024, worldcon


Monday was the day my flight left and it left at a time that meant I couldn’t stay for the dead dog party nor really do much more at the con. If I ever make it to another Worldcon I will try to make sure that I can stay longer and have more fun.

Books arranged on a stall for sale

The Hodges and Figgis stall, showing the self published books they had agreed to stock. Seen here Gods of the Deep, Lurking Miscellany and Out of this World Alphas.

However, I did manage to wander round the dealer’s room a bit and pick up the unsold books I had left in the competent care of Hodges and Figgis. Unfortunately, this turned out to be all of them but I did swap one with F.D Lee in exchange for hers. I now need to read the one she gave me and do a review. Once I finish all the other books I need to read…

In the course of wandering the dealer’s room I found out I had actually won a Hugo. It was the Hugo for ‘best panel moderated by me’ and it was hotly contested this year. Luckily, I managed to beat myself to win this prestigious, non-existent award. Thank you to the #holdahugo team for voting for me to win this.Me holding a Hugo award

I also explored the freebie table which was mostly populated with leaflets and fanzines but did have some interesting stuff. For example, I picked up a copy of Ninefox Gambit (unfortunately too late to get it signed) to read on the plane and a curious bottle of ‘Pastor Oat’s Holy Water’ which was a nice little idea from the Discworld universe.

Finally, I got to actually meet the rest of the literature team – the ones who I had been working with online for months to bring to fruition many of the Programme items that had just been played out over the past few days. We had a nice lunch in a restaurant nearby and we all got paid in strange Cthuloid coinage…

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litteam

In all, my first Worldcon was a fun one, if somewhat busy in places. I got to do a lot of things that were great but also didn’t get to do some other things that I really wanted to do. I guess it all balanced out, though. I am unlikely to make another Worldcon any time soon – New Zealand is beyond my budget to travel to, as are any future US ones – but I am actively working to help bring about a Worldcon in Glasgow in 2024 by foolishly volunteering to help out.

I flew home tired but happy, looking forward to the next event I will be attending – Eastercon in Birmingham 2020…

My Worldcon experience: Day 3

03 Tuesday Sep 2019

Posted by D.A Lascelles in Conventions

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Dublin, Iain J Clark, Point Square, Roz Kaveney, Russell A Smith, worldcon


Saturday was more of a working day for me. As a member of the listener team at the Con, I had a number of shifts I had to be available for – either as a roaming Listener (keeping being available for anyone who wants to approach for help or being called in to deal with issues) or at one of the listener desks (these being in the foyer of the CCD, the main con area, or the information desk at Point Square).

6C1A4662

The Beckett Bridge over the Liffey, taken from the CCD

This day I was scheduled to be at the Point information desk at 9am until lunch time. Which would have been fine, still not an early start for me even with the slightly longer trek to Point square from my accomodation, had it not been for the Great Breakfast Crisis.

You see, Dublin apparently does not wake up before 930 on a Saturday. Or at least the part of Dublin the conference was in doesn’t. I guess because it is mostly university and conference facilities and no sensible student is up before midday on a weekend and any conference attendee is, of course, safely in a hotel with a breakfast bar. Apart from me, that is…

So the cafe I had breakfast in on Friday (that did lovely GF bacon sandwiches) was not open when I walked past not long after 8, nor was the restaurant that promised Omlettes I spotted on Friday night and wanted to try out. Even the Starbucks at the cinema was closed. So I had to sit at the info desk breakfast and coffee free until Ed Fortune (SF journalist, Podcaster and old friend from university) came to rescue bringing coffee. Thus saving the universe (or at least Dublin) from the evil that is uncaffeinated me. Actually, this was part of some strange, mystic confluence thing where several of my old friends from university just happened to turn up at that location. Iain and Janet Clark (both exhibiting in the art room that was located in Point), Ed, Russell Smith and me. I knew there was something story based about to happen when Iain walked up to the desk and said “We’re putting the band back together.”

FB_IMG_1566043476427.jpg

One journalist, two writers and two artists… it’s early in the morning, none of them smoke, they’re out of booze, it’s light and they don’t have sunglasses…

You’d think we were all there for the same conference or something…

Most of my morning was spent dealing with info desk enquiries rather than actually being a Listener, which was fine because, to be honest, like First Aiders, Listeners at events are people you really prefer to be not doing much because it means nothing bad is happening.

After lunch, I headed to a Kaffeeklatsch hosted by Roz Kaveney, having been thoroughly impressed by her during our Thursday Panel. There followed an entertaining conversation (during which, yes, Pennyworth was mentioned again…) that covered a lot of UK SFF literary history and during which I found myself wishing I knew what had happened to my copies of Temps and Eurotemps (long ago lost, likely in some appropriate bureaucratic mess of a house move) as I would have loved to have had a signature. I may have to buy them again…

By some miracle, I actually managed to have an early night. Mostly because many of the people I usually hang out with at the bar had gone to the Masquerade and I was too lazy to bother going to get a wristband for it. Though I did spoil my early night by staying up late editing photos instead…

 

My Worldcon experience: Day One

01 Sunday Sep 2019

Posted by D.A Lascelles in Conventions

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Alicia Faires, Chris Corbitt, Cosplay, Dublin, F.D Lee, Heidi Lyshol, Helen Pennington, Keith Byrne, Photowalks, Roz Kaveney, Scott Edelman, worldcon


Dublin 2019 An Irish Worldcon August 15 - 19 Convention Centre DublinThose of you who follow this blog regularly (I’m sure there are a few of you…) will know that my ability to keep a consistant way of writing about events is somewhat sporadic. For my first Eastercon, I did a daily blog but wrote it after the event. For the more recent Eastercon, in London, I actually managed to write my blog every day while at the event (including photos taken that day) and include a bonus preCon day.

For the 2019 Worldcon in Dublin, I am writing my account about 10 days after I got home from the con and I have no idea how many posts I will make…

This was my first Worldcon, though I didn’t manage to get the coveted ‘First Worldcon ribbon’ as they had ran out of stock by the time I got there. I also didn’t really feel like it was ‘my first time’. Partly this was because I’m an old hand at other cons now, being a regular at Eastercon since 2016 and, if I am being honest, a lot of the people I was seeing in Dublin were also Eastercon regulars so I didn’t feel left out socially – there was usually at least one person I could say hi to and get a conversation with. It was also because I’d spent the last couple of years working behind the scenes on the con – starting out as a member of the Brainstorming group (whose job it was to suggest really crazy panel ideas that the organisers would inexplicably consider worth doing) and progressing to being a member of the Literature programme team (where our job was to take these crazy ideas, add some panelists and write a description of it). So, compared to some other first time Worldconners, who might have been walking in and feeling a little out of place, I was already in a quite privileged position.

I arrived for the event itself on Thursday morning. Early on Thursday morning. And I didn’t really have time to have a rest after my 5am wake up call and flight. I had to queue to register at the Con, head to my accomodation to drop my bags and then get back in time for lunch with the Milford/Northwrite possee (that turned into drinks with them as lunch options were limited in the convention centre…) before heading to the first panel I was moderating – Franchise Characters.

Author F.D Lee and me at WorldconIn this, I was joined by F.D Lee (fantasy and SF indie author). Scot Edelman (writer for Marvel comics), Keith Byrne (Artist and character designer with Tantalus) and Roz Kavenay (writer, critic and all round great person to talk to). We mostly discussed Marvel vs DC and the reasons why one was better than the other at maintaining a franchise. However, this also led into a discussion on Pennyworth (Roz’s current new obsession – one I totally intend to check out for the promise of fascist 60’s Britain) and a few other franchises – including trying to define what a franchise actually is. There seemed to be some agreement to my definition of it being a creation that appears in more than one format but the focus of the panel was more on how the use of ‘background characters’ can help to build the depth of the world. Here I think we were all in agreement… I was a little disappointed we never got to discuss Pratchett’s Discworld as a franchise as much as I would have liked as that is a perfect example of  a franchise where main characters from one book become minor ones in others and I had a whole thing planned around Gaspode the Wonder dog… Also, the fact that Death appears in every single Discworld novel and how that is SIGNIFICANT.

After a break for food, I headed to another panel. This one was entitled “How close are Cosplay Tony Stark and Pepper Potts outside the Dublin CCDwe to Frankenstein’s Dream?” and I was with Dr. Helen Pennington (Plant scientist from DEFRA) and Heidi Lyshol (of the Norweigan Institute for Public Health). I was actually a little nervous about being on stage with some very eminent names in science with my mere MPhil and teaching background (I guess it could have been worse… someone of the academic oopmh of Dame Jocelyn Bell Burnell could have been there, even though her area is more physics) but it worked out great and we had a wonderful discussion with lots of audience questions and the line “We could do that but it would be just slightly unethical” was uttered many times. We touched upon cloning, 3D printing of organs, head transplants, building a complete body out of 3D printed organs and several other bizarre applications of biology, medicine and engineering. I also got to talk about gerontology, which is my secondary area of expertise after immunology, and discuss things like the calorie restriction diets. In all a fun panel.

After this, I had planned to meet some people for a photowalk around Dublin. I was expecting no one to show up so was pleasantly surprised that we got two more photographers and a couple of Cosplayers (Chris Corbitt and Alicia Faires). So, we started the evening with some shots of the Cosplayers before the sunset then did a post sunset walk along the river.

After that, it was time to hit the bar and then to bed… but before I do, have a photo of the Liffey looking rather Cyberpunk…

The river Liffey, Dublin, at night.

New year musings…

01 Tuesday Jan 2019

Posted by D.A Lascelles in Musings

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Tags

2018, 2019, BTEC Applied Science, BTEC Health and Social Care, Dublin, EasterCon, Frances Hardinge, gods of the city, Gods of the Deep, gods of the sea, Jacey Bedford, Lurking Miscellany, New Year, out of this world alphas, Russel A Smith, Waypoint, worldcon


As usual, I am late at doing a retrospective of the old year. In fact, I may be more than a year late as I cannot recall if I did one of these last year or not…

Anyway, after being name checked in Russel A Smith’s blog yesterday I have been shamed into doing a new year post of my own…

Eddie the smooth coated fox terrier on a beach with a ball2018 has been a mixed year. I lost two things. One was my full time employment, with redundancy in June. The other, more tragic and personal, was the loss of Eddie, our Smooth Fox Terrier. This last one is still very recent (December) and he will be sorely missed. He has featured both in this blog as ‘Christmas dog’ and also had a small cameo in my first novella publication (Transitions) where he is found eating from an upturned bin during a scene where the hero, Brandon, leaves a love note on Helen’s doorstep. I am sure he would have been the first to tell you that the entire plot of that story was all about him and the bin eating scene was artistically essential for the overall plot of the novel and if you cut it out the whole story collapses.

However, there were also good things in 2018. For one, the loss of employment has allowed more time for writing – both fiction and non-fiction. This has meant that I have now almost completed my second educational resource and will be starting a third later in January. I will be using this blog to announce when these are published so keep an eye out for that. The two current ones are based on the BTEC level 3 Health and Social Care specifications for 2016. The potential future one will be based on the Applied science specification.

I’ve also kicked the fiction writing up a notch. I have been working with a new writing Authors incliding Jacey Bedford and Ruth Long doing a panel at Mancunicon Eastercongroup, courtesy of the wonderful Jacey Bedford who is shown in the photograph from a panel I shared with her at Mancunicon (Eastercon) and that has given me some inspiration and encouragement. I am currently working on two novels. One is a sequel to Gods of the Deep called Gods of the City which will bring us back to the Arcroc and the adventures of Rachel and Everyn. The other currently does not have a name (it was formerly Fortune and Troy but that title no longer works for various reasons and I need a rethink…) but will be set in the Waypoint universe which has already featured in two of the stories in Lurking Miscellany.

Final thing in writing is that I have become a reviewer for the BSFA Review. My reviews have not (at present) made it to the page but are expected to start appearing in the next issue which is due out soon. I have been reading a mix of trad and self published books. Spoiler alert, my review of Lost Gods by fellow Mancunian Micah is largely positive. This has nothing to do with the fact I got to attend the lavish release party…

Purple relief figure in Brick lane, LondonIn photography, I have made massive changes. I attended a course at the London Institute of Photography in August. I spent a few days in London with them doing artistic shoots in Brick Lane and the Barbican centre and a few other places.  I learned a lot there and have been applying what I learned to my work. One of the images I took there is shown here – some of the fascinating graffiti in Brick Lane, London. I also traveled to Cyprus to photograph my sister’s wedding, which was an amazing experience and have found a group of local photographers who have been meeting in a pub in Manchester every Wednesday to experiment with interesting photography ideas. I have set up a facebook page to showcase some of my more recent shoots both from those sessions and others.

I also found out that a good friend of mine has recently qualified as a professional photographer and did a residency abroad which was very successful and which makes me very jealous of her. You can see examples of her work here. She is absolutely amazing and I want her to do well if only so that the wonderful photos she took of me and my wife at a friend’s wedding become collector’s pieces in the future :).

For the year to come I am making my usual creative resolution but modifying it. Over the last two years I have made it a policy to do at least one creative thing every day, even if only a small thing (literally a word or two on a document counted). It didn’t matter what it was – writing something, taking a photograph or editing a photograph all counted. However, in the latter half of 2018 I modified the rule a little. Now, instead of being able to do photography OR writing tasks I am being strict and saying that I must do writing every day. I am not making a similar rule for photography as I know that it is often erratic when I can get to do that. However, I am sure there will be more of that to come. The writing every day is essential for the writing group anyway. There must be new stuff for them to critique each meeting and that means I have had to up my volume.

Coming up this year are a number of things.

First of all there is the release of Out of this World Alphas due soon. 15th January is the release date you should put in your calendar. FB_IMG_1545486717540.jpgOr you can click the link and pre-order if you prefer and it will be delivered to your e-reader on the release date. I have a story in this anthology set in the Arcroc that stands between Gods of the Deep and Gods of the City.

Secondly, thanks to the aforesaid Russel Smith, I am working on another anthology which will be based in Manchester. I have the vague concept of a story incubating for that which involves druidic magic.

As for conferences etc. I am not able to make Picocon again this year, which is a shame because I really enjoyed my time there last year. However finances are against me there and, besides, I have two other amazing conferences to get to this year. One of these is Eastercon which this year is in London and gives me the chance to catch up with Frances Hardinge again after too long not seeing her. Regular readers will recall many years ago when she appeared on this blog having done a reading for World Book Night at the Fab cafe. I also did a reading then but I am not sure as many noticed. I am looking forward to a good weekend of panels and talking with people who I tend to only see once a year over Easter…

The other main event this year is like Eastercon only bigger… Worldcon is coming to Dublin this year and as that makes it far more accessible than it has ever been I am going to travel there in August. I have also been involved in the brainstorming sessions for this, which seem to involve a bunch of people sending emails with crazy panel ideas and the rest of us either agreeing with them or making them crazier. No spoilers but I am sure any of you who attend will be in for some treats… I am looking forward to my first Worldcon and will be there with a camera in order to take lots of photos of Dublin to bore you all with.

So that is it… plans for the new year as they currently stand. I hope you all have a good new year yourselves and are successful in any and all ventures you attempt.

 

Ruth Frances Long interview

26 Monday Sep 2016

Posted by D.A Lascelles in Interview

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Tags

A darkness at the end, Author interview, Dubh Linn, Dublin, Fae, Fantasy Romance, Irish Mythology, Ruth F Long, Sidhe, YA Fantasy


adarknessattheendcoverAt EasterCon in April this year I had the pleasure of being on a panel moderated by the fascinating YA fantasy writer, Ruth Frances Long. After spending a lot of the conference talking to her about many various and random things (Irish census data being one bizarre topic) and on hearing she had a book release this month, I invited her to do an interview.

You set your books in Dublin and a fey mirror realm called Dubh Linn, how important is setting to you and how much of your real world experience of Dublin has gone into your world building?

Setting is extremely important to me. I believe that when writing fantasy the more real world, definite details a writer can put in, the more real the world becomes and the fantasy elements become more convincing. I grew up in Dublin and in Dalkey (the town just outside where Izzy comes from) and made a number of research trips to each setting. I have so many photos of the various settings that I think my computer might melt some day soon.

Your Dubh Linn series draws on a lot of Irish mythology. What is your favourite story from these myths?

It’s very hard to pick just one and so many of them have gone into the Dubh Linn books. Many of them are local folklore – which range from stories to tiny details about buildings and places. I love stories about fairy trees and mounds, about not messing with the Sídhe. In the grander mythological sense I’m very fond of the story of Midir and Etain, but didn’t really use it in this story. One that I used is that of the Leanán Sídhe, the fairy lover or muse, who seduces artists and musicians, making them great but draining them of their life force so their lives will be brilliant but short. I combined it with the urban legend of the 27s, musicians who all died when they were 27, which made for a different twist.

Who would win in single combat – Cuchulain or Hercules?

Cuchulain. I’m pretty sure he fights dirty.

As R.F Long you also write paranormal romance. Do you find there is a difference between writing this and your urban fantasy work?

A lot of it is to do with voice and themes rather than anything else, the type of story I’m telling. There is actually a lot of overlap but voice always is a key element in YA.

Do you find that being a romance writer has helped you develop more realistic relationships in your fantasy work or has it been a hindrance?

I think writing is all about capturing emotion – whether that’s love or fear or hate, whatever. I’m not sure if writing romance has helped that but the sense of emotion and the sense of story are key ingredients in romance. I love writing about relationships because of all the emotions relationships throw up. It isn’t just about love.

How has your work as a librarian helped or hindered your career as a writer?

I came to both through a love of books. I don’t think that could ever hinder a writer. Perhaps by putting far too many books easily to hand to procrastinate with. But that also has the advantage of research!

You have obviously been very successful in two genres of fiction. Do you feel you have yet ‘made it’ as a writer or are there still things to achieve to get there?

I’m not sure any writer ever feels that they have “made it”. There’s always room to grow and each new book presents a new challenge (or abject terror of getting it wrong). I tend to follow the story and telling the best story I can and having people read and appreciate it is the most amazing thing.

If you had a choice, which author (living or dead) would you like the chance to spend some time with?

I’m a bit fan of Terry Pratchett and I’d like him back to tell more stories.

What would you do with this author?

I’d like to talk to him about folklore because I think he had a sublime understanding of it. I love the way he worked it through everything he wrote.

Tell us more about your latest release – A Darkness at the End.

A Darkness at the end is the final book in the contemporary fantasy trilogy set Dublin and Dubh Linn, the fae world that exists in the cracks and corners of reality.

Angels, fae demons and humans are drawn into lethal conflict as the fate of the world hangs in the balance in the final instalment in this urban fantasy. Holly, the fae matriarch, tries to seize the power of heaven for herself, while Izzy has lost her memory and Jinx is dead … or is he?

Confronted with ancient powers, sacrifice and treachery. War is looming within the ranks of the Sidhe. The angels and the demons begin to draw lines, daring each other to transgress and start another war …

You have just ended a trilogy. What is next for you? What stories are there in your future?

I’m currently working on a Space Opera, and a Young Adult contemporary, and a timeslip… so plenty.

Bio

Ruth Frances Long writes dark young adult fantasy, often about scary fairies, such as The Treachery of Beautiful Things, A Crack in Everything, A Hollow in the Hills and the forthcoming A Darkness at the End. (O’Brien Press, 2016). As R. F. Long, she also writes fantasy and paranormal romance.

She lives in Wicklow and works in a specialized library of rare, unusual & occasionally crazy books. But they don’t talk to her that often.

In 2015 she won the European Science Fiction Society Spirit of Dedication Award for Best Author of Children’s Science Fiction and Fantasy.

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